Social Effects of Rock Music - Fashion

Fashion

Rock music and fashion have been inextricably linked. In the mid-1960s of the UK, rivalry arose between "Mods" (who favoured 'modern' Italian-led fashion) and "Rockers" (who wore motorcycle leathers), each style had their own favored musical acts. (The controversy would form the backdrop for The Who's rock opera Quadrophenia). In the 1960s, The Beatles brought mop-top haircuts, collarless blazers, and Beatle Boots into fashion.

Rock musicians were also early adopters of hippie fashion and popularised such styles as long hair and the Nehru jacket. As rock music genres became more segmented, what an artist wore became as important as the music itself in defining the artist's intent and relationship to the audience. In the early 1970s, Glam rock became widely influential featuring glittery fashions, high heels and camp. In the late 1970s, Disco acts helped bring flashy urban styles to the mainstream, while Punk groups began wearing mock-conservative attire, (including suit jackets and skinny ties), in an attempt to be as unlike mainstream rock musicians, who still favored blue jeans and hippie-influenced clothes.

Heavy Metal bands in the 1980s often favoured a strong visual image. For some bands, this consisted of leather or denim Jackets & pants, spike/studs & long hair. Visual image was a strong component of the Glam Metal movement.

In the early 1990s, the popularity of Grunge brought in a punk influences fashion of its own, including torn jeans, old shoes, flannel shirts, backwards baseball hats, and grew their hair against the clean-cut image that was popular at the time in heavily commercialized pop music culture.

Musicians continue to be fashion icons; pop-culture magazines such as Rolling Stone often include fashion layouts featuring musicians as models.

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Famous quotes containing the word fashion:

    Fashion is the most intense expression of the phenomenon of neomania, which has grown ever since the birth of capitalism. Neomania assumes that purchasing the new is the same as acquiring value.... If the purchase of a new garment coincides with the wearing out of an old one, then obviously there is no fashion. If a garment is worn beyond the moment of its natural replacement, there is pauperization. Fashion flourishes on surplus, when someone buys more than he or she needs.
    Stephen Bayley (b. 1951)

    It doesn’t behoove elderly persons to follow fashion in their thinking nor in the way they dress.
    Johann Wolfgang Von Goethe (1749–1832)

    If you follow the suburban fashion in building a sumptuous- looking house for a little money, it will appear to all eyes as a cheap, dear house.
    Ralph Waldo Emerson (1803–1882)