Internet and Mobile Soap Opera
With the advent of internet television and mobile phones, several soap operas have also been produced specifically for these platforms, including EastEnders: E20, a spin-off of the established EastEnders. For those produced only for the mobile phone, episodes may generally consist of about 6 or 7 pictures and accompanying text.
On September 13, 2011, TG4 launched a new 10 part online series titled, Na Rúin, (an internet spin-off of Ros na Rún.) The mini-series took on the theme of mystery. The viewer had to read Rachel's and Lorcán's blogs as well as watch video diaries detailing the thoughts of each character to solve the mystery of missing teenager, Ciara.
In 2011, it was announced that All My Children and One Life to Live would leave television and move their series exclusively on the internet in 2012, effectively making them web series. However, it was later announced that because of economic issues with running daytime dramas on the internet, those plans were canceled.
Read more about this topic: Soap Opera
Famous quotes containing the words soap opera, mobile, soap and/or opera:
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (1916–62)
“From three to six months, most babies have settled down enough to be fun but aren’t mobile enough to be getting into trouble. This is the time to pay some attention to your relationship again. Otherwise, you may spend the entire postpartum year thinking you married the wrong person and overlooking the obvious—that parenthood can create rough spots even in the smoothest marriage.”
—Anne Cassidy (20th century)
“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
—Northrop Frye (b. 1912)
“Opera once was an important social instrument—especially in Italy. With Rossini and Verdi people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.”
—Luciano Berio (b. 1925)