Episodes
# | Title | Directed by | Written by | Original air date | Production code |
---|---|---|---|---|---|
1 | "A Dog Day Afternoon" | Rich Correll | Eric Cohen & Tonya Hurley | June 2, 2001 | 101 |
Chloe comes up with a unique theory that boys are no different than dogs. while visiting her father she then tests this theory in real-life, on Travis, a boy living in the trailer next door to her dad's. This results in her being humiliated. | |||||
2 | "Siblings in the City" | Rich Correll | Becky Southwell | June 9, 2001 | 103 |
Chloe decides to write a dating column for the newspaper, using her family as a source of inspiration. Bad choice. | |||||
3 | "The Color of Money" | Rich Correll | Erik Shapiro & Patrick McCarthy | June 16, 2001 | 106 |
While the girls raise money for school by selling clothes, Larry purchases tickets for a concert the girls really want to attend by taking the money from the school charity fund without telling them. | |||||
4 | "There's Something About Riley" | Mark Cendrowski | Eric Cohen | June 23, 2001 | 107 |
Riley finds herself unknowingly in a romantic tug-of-war between Larry and Tony. Meanwhile there is a bush fire and the whole family are thrown into panic, as Macey tries to reach Jake on the phone to warn him about the fire, but does not pick up. The family is made to evacuate to West Malibu High School. | |||||
5 | "Girls Just Wanna Have Fun" | Mark Cendrowski | Michael S. Baser & Frank Dungan | June 30, 2001 | 108 |
Riley reluctantly agrees to give history notes to the "baddest" girl in school - in exchange for her and Chloe being invited to a wild late-night party, which they luckily sleep through. | |||||
6 | "You've Got Mail" | Mark Cendrowski | Michael S. Baser & Frank Dungan | June 29, 2001 | 109 |
Chloe attempts to make friends with a grumpy senior citizen, while Riley kisses Larry, and then spends the rest of the day denying it. Macy and her high school crush plan to meet. Once Jake learns of this, he attempts to interrupt them during their "get-together". | |||||
7 | "Manuelo in the Middle (Part 1)" | Rich Correll | Michael S. Baser & Frank Dungan | July 7, 2001 | 104 |
When the girls' male nanny, Manuelo, is upset about not being included in the family photo, he quits. Riley and Chloe try to come up with a plan to lure him back. | |||||
8 | "Manuelo in the Middle (Part 2)" | Rich Correll | Michael S. Baser & Frank Dungan | July 13, 2001 | 105 |
Riley and Chloe continue their plan to try to get "The Missing Manuelo" back. | |||||
9 | "True Lies" | Mark Cendrowski | Marcy Vosburgh | July 21, 2001 | 110 |
Rather than admit they're having a tough time, the twins try to cheat their way through classes, only to have it backfire. | |||||
10 | "Tedi's Burnout" | Rich Correll | Eric Cohen | July 28, 2001 | 111 |
Rather than being honest, Riley tries to avoid getting into a fight with Chloe. Meanwhile, Tedi decides to "take a break" from modeling. | |||||
11 | "Teacher's Pet" | Rich Correll | Matt Martin & Jody Milks | August 11, 2001 | 112 |
The girls are shocked when their father starts dating their teacher. | |||||
12 | "Rules of Engagement" | Rich Correll | Michael S. Baser & Frank Dungan | August 18, 2001 | 114 |
The girls try to live their own separate lives, but they start driving everyone around them crazy. | |||||
13 | "Outbreak" | Rich Correll | Joshua Keene | December 1, 2001 | 115 |
A lie becomes reality when Chloe covers for Riley's fake sickness, then gets sick herself, and infects the whole family. | |||||
14 | "The Breakfast Club" | Rich Correll | Michael S. Baser & Frank Dungan | December 15, 2001 | 102 |
Chloe tries desperately to get detention for herself, so she can spend time with a student named Travis. This causes all of her schoolmates to get detention when her teachers do not believe that "sweet, innocent Chloe" would be so bad. | |||||
15 | "The New Guy" | Jean Sagal | Mark Blutman | January 12, 2002 | 122 |
Chloe meets a new guy named Lennon, who tends to make her everyday routine something of a mess. Meanwhile, Riley hurts Larry's feelings by forgetting his birthday. | |||||
16 | "The Massage" | Jean Sagal | Becky Southwell | January 19, 2002 | 117 |
Riley becomes addicted to massage therapy, while Chloe tries to work up the nerve to ask Lennon out on a date. | |||||
17 | "Riley's New Guy" | Jean Sagal | Michael S. Baser & Frank Dungan | January 26, 2002 | 120 |
While Riley has to fight off rumors about a recent date, Chloe finally lets Lennon know that she likes him. | |||||
18 | "The Wheelchair" | Jean Sagal | Randi Barnes | February 2, 2002 | 121 |
When Riley goofs around in a wheelchair, a student named Rob (Billy Aaron Brown), who uses a wheelchair full-time, gets the wrong idea. Riley continues her charade, not thinking of the truth's eventual impact on Rob. | |||||
19 | "The Job" | Jean Sagal | Randi Barnes & Jeny Quine | February 9, 2002 | 126 |
To save money for a car, the girls get jobs as waitresses, but they quickly discover that it is not their ideal job. | |||||
20 | "The Flat Tire" | Jean Sagal | Barry Safchik | February 16, 2002 | 124 |
During a driving lesson with a family friend, Riley and Chloe end up stranded on the side of the road when the car gets a flat tire. A passing motorist very kindly offers to help, but the twins' gratitude is short-lived when the guy turns out to be a car thief, who steals the car. Meanwhile, Cammie and Larry think that a real estate agent is an acting agent, and Cammie pretends to a be famous celebrity, with Larry as her pretend stalker. In the end, the real estate agent has Larry arrested so Cammie will be safe. | |||||
21 | "The Volunteer" | Jean Sagal | Jeny Quine | March 2, 2002 | 123 |
Riley and Chloe must cope with the death of an elderly woman named Dolores, whom Riley "adopts". Meanwhile, Cammie is freaking out when there's no entertainment for the coffeehouse. Larry tells Cammie that he'll gladly sing at the coffeehouse. The crowd hates his songs, so he sings a song about Cammie's personal life. He becomes a success, but his songs hurt Cammie's feelings. So, Cammie sings a song about Larry's personal life. She and Larry have a fight, and break up. After they break up, Larry immediately goes onto the stage, and starts singing a song, and Cammie soon joins in, ultimately getting them back together. | |||||
22 | "Trading Places" | Jeff Meyer | Erik Shapiro | March 9, 2002 | 116 |
Things go terribly wrong when Riley, Chloe, and Larry collaborate on a science project. | |||||
23 | "Larrypalooza" | Rich Correll | Michael S. Baser & Frank Dungan | March 16, 2002 | 118 |
Chloe, Riley, and Larry decide to create a band to participate in the school's "War of the Bands". Meanwhile, Larry catches the eye of a popular girl named Tanya, which surprisingly makes Riley jealous. | |||||
24 | "Look Who's Talking" | Rich Correll | Eric Cohen | March 23, 2002 | 119 |
When the Carlsons' cable is turned off, they all have to find a way to get along without television. | |||||
25 | "Waiting for Gibson" | Rich Correll | Marcy Vosburgh | April 27, 2002 | 113 |
A case of mistaken identity leads to Chloe losing the affection of her secret admirer. Meanwhile, a security guard frantically chases Manuelo around a television studio. Guest star: Drake Bell as Himself with his band |
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26 | "Sweet 16" | Jean Sagal | Eric Cohen | May 4, 2002 | 125 |
In the series finale, misunderstanding what they overheard, Riley and Chloe show up for their surprise 16th birthday party on the wrong night. Meanwhile, Cammie and Larry make a documentary for Riley and Chloe. At the end of the episode, everyone watches the documentary. After that, Riley and Chloe ask where their car is. The series ends when Cammie announces that she and Larry have got to go, but they'll see them tomorrow. |
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Famous quotes containing the word episodes:
“What is a novel if not a conviction of our fellow-mens existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?”
—Joseph Conrad (18571924)
“Twenty or thirty years ago, in the army, we had a lot of obscure adventures, and years later we tell them at parties, and suddenly we realize that those two very difficult years of our lives have become lumped together into a few episodes that have lodged in our memory in a standardized form, and are always told in a standardized way, in the same words. But in fact that lump of memories has nothing whatsoever to do with our experience of those two years in the army and what it has made of us.”
—Václav Havel (b. 1936)