The Snow Lion in Buddhist Art
The Lion is a sacred and regal symbol in many ancient cultures from Egypt to the Greek and Roman Empires and further east to Persia and ultimately to India in the second century. In Buddhism the Snow Lion is the protector of Buddha and in paintings and sculpture is usually seen as holding up the Buddha's throne (one on the left and one on the right of the throne.) The body of the Snow Lion is white while its flowing hair of mane, tail and curls on legs, is either blue or green. While most Snow Lions are gender neutral in Buddhist art there are some that are represented as obviously male and some as obviously female. When represented as a symmetrical pair the male is on the left and the female on the right. Sculptural Snow Lions are often in repousse metal that has been gilt and painted.
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Famous quotes containing the words snow, lion and/or art:
“Physical force has no value, where there is nothing else. Snow in snow-banks, fire in volcanoes and solfataras is cheap. The luxury of ice is in tropical countries, and midsummer days. The luxury of fire is, to have a little on our hearth; and of electricity, not the volleys of the charged cloud, but the manageable stream on the battery-wires. So of spirit, or energy; the rests or remains of it in the civil and moral man, are worth all the cannibals in the Pacific.”
—Ralph Waldo Emerson (1803–1882)
“Here in the centre stands the glass. Light
Is the lion that comes down to drink. There
And in that state, the glass is a pool.
Ruddy are his eyes and ruddy are his claws
When light comes down to wet his frothy jaws”
—Wallace Stevens (1879–1955)
“Without freedom, no art; art lives only on the restraints it imposes on itself, and dies of all others. But without freedom, no socialism either, except the socialism of the gallows.”
—Albert Camus (1913–1960)