Snooky Pryor - Career

Career

James Edward Pryor was born in Lambert, Mississippi and developed a Delta blues style influenced by both Sonny Boy Williamson I and Sonny Boy Williamson II. He moved to Chicago around 1940.

While serving in the U.S. Army he would blow bugle calls through the powerful PA system, which led him to experiment with playing the harmonica that way. Upon discharge from the Army in 1945, he obtained his own amplifier, and began playing harmonica at the outdoor Maxwell Street market, becoming a regular in the Chicago blues scene.

Pryor recorded some of the first postwar Chicago blues records in 1948, including "Telephone Blues" and "Snooky & Moody's Boogie" with guitarist Moody Jones, and "Stockyard Blues" and "Keep What You Got" with singer/guitarist Floyd Jones. "Snooky & Moody's Boogie" is of considerable historical significance: Pryor claimed that harmonica ace Little Walter directly copied the signature riff of Pryor's song into the opening eight bars of his own blues harmonica instrumental, "Juke," an R&B hit in 1952. In 1967, Pryor moved south to Ullin, Illinois. He quit music for carpentry in the late 1960s but was persuaded to make a comeback. After he dropped out of sight, Pryor was later re-discovered and resumed periodic recording until his death in nearby Cape Girardeau, Missouri at the age of 85.

In January 1973 he appeared with the American Blues Legends tour which played throughout Europe, alongside Homesick James. Whilst on this tour they recorded an album in London, Homesick James & Snooky Pryor, on Jim Simpson's label Big Bear Records.

Some of his better known songs include "Judgement Day" (1956), and "Crazy 'Bout My Baby" from Snooky (1989), "How'd You Learn to Shake It Like That" from Tenth Anniversary Anthology (1989) and "Shake My Hand" (1999).

Read more about this topic:  Snooky Pryor

Famous quotes containing the word career:

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)

    I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.
    William Cobbett (1762–1835)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)