Plot
Sayoko Bizen is a buxom, cynical, shrewdly intelligent, and sexually uninhibited loner trying to move up in the world. Sayoko quits her executive secretary job after her boss fails to seduce her, and she exposes his affair with a co-worker. By chance, she meets a meek and outwardly unimpressive young man named Satoru Ichi (actual name: Yuichi Tsugaru), a virgin whom she initially tries to scam by coming to his apartment as a massage girl, who Satoru mistakenly believes is a call girl. When Satoru is distraught to learn that she is not a prostitute and has wasted hundreds of dollars, Sayoko takes pity on him and decides to have sex with him. She quickly discovers that Satoru is blessed with an incredible libido and a surprising ability to perform sexually, which she takes advantage of by staying with him until morning. Because she loses her job as a result, she moves in with him, agreeing to have sex with him in exchange for room and board, and for additional money that she subsequently persuades him to give her for various get-rich schemes of hers.
Sayoko also introduces Satoru to a collection of equally curvaceous women, all acquaintances of hers. These include Franco-Australian aspiring actress Neena Canberra, former co-worker and martial arts expert Takako Tosa, and incompetent nurse Emi Tanba, all of whom Satoru has sex with. Borrowing seed money from Satoru, Sayoko recruits all three of these women to aid her in her biggest get-rich-quick scheme: developing and selling the rights to a product that combines many popular fads, which works out very profitably. She then leaves Satoru with his cut of the profits, but with the promise that she may come back to him someday.
In the bonus chapter "Slut Girl Alpha" that concludes the story, Sayoko returns to stay with Satoru.
Read more about this topic: Slut Girl
Famous quotes containing the word plot:
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)