Plot
Sayoko Bizen is a buxom, cynical, shrewdly intelligent, and sexually uninhibited loner trying to move up in the world. Sayoko quits her executive secretary job after her boss fails to seduce her, and she exposes his affair with a co-worker. By chance, she meets a meek and outwardly unimpressive young man named Satoru Ichi (actual name: Yuichi Tsugaru), a virgin whom she initially tries to scam by coming to his apartment as a massage girl, who Satoru mistakenly believes is a call girl. When Satoru is distraught to learn that she is not a prostitute and has wasted hundreds of dollars, Sayoko takes pity on him and decides to have sex with him. She quickly discovers that Satoru is blessed with an incredible libido and a surprising ability to perform sexually, which she takes advantage of by staying with him until morning. Because she loses her job as a result, she moves in with him, agreeing to have sex with him in exchange for room and board, and for additional money that she subsequently persuades him to give her for various get-rich schemes of hers.
Sayoko also introduces Satoru to a collection of equally curvaceous women, all acquaintances of hers. These include Franco-Australian aspiring actress Neena Canberra, former co-worker and martial arts expert Takako Tosa, and incompetent nurse Emi Tanba, all of whom Satoru has sex with. Borrowing seed money from Satoru, Sayoko recruits all three of these women to aid her in her biggest get-rich-quick scheme: developing and selling the rights to a product that combines many popular fads, which works out very profitably. She then leaves Satoru with his cut of the profits, but with the promise that she may come back to him someday.
In the bonus chapter "Slut Girl Alpha" that concludes the story, Sayoko returns to stay with Satoru.
Read more about this topic: Slut Girl
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
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—Robert Lowell (1917–1977)