Evolution of Comic's Art and Tone
Sluggy Freelance began with a series of parody plot-lines which, while adding character developments and even some recurring characters were fairly stand-alone. As the comic progressed, however Abrams began adding ongoing mysteries, intrigues and a series of "epic" stories that took Sluggy in a different direction. An example is the introduction of the mysterious character Oasis, whose mysterious past and threat to the cast becomes a backbone of some of the most important later plots. Abrams art also took on an increasingly dynamic and complex tone in many of these later stories, including weeks of full color or experimental graphics and as many as 15 panels in a single day, making the strip feel more like a comic book or graphic novel in some of its most dramatic moments. Despite this, Abrams worked hard to maintain the comic's characteristic humor and quirkiness even in the midst of moments of great emotion and levity. A notable example of this deepening of the drama in the webcomic is the chapter "Fire and Rain" which broke several traditions in the site, has a far more dark and detailed art style and is almost completely free of comical elements.
In early 2007, with the start of the Chapter Entitled "Aylee" Abrams announced on his sites' news-feed that he had intentions to complete the Sluggy Freelance story after 10 years, and that the comic was entering its "Endgame," with dramatic changes that would impact the characters deeply. He hinted, however that it would likely take the strip some time to tie up all the loose ends in question.
Read more about this topic: Sluggy Freelance
Famous quotes containing the words evolution of, evolution, comic, art and/or tone:
“The evolution of a highly destined society must be moral; it must run in the grooves of the celestial wheels.”
—Ralph Waldo Emerson (18031882)
“As a natural process, of the same character as the development of a tree from its seed, or of a fowl from its egg, evolution excludes creation and all other kinds of supernatural intervention.”
—Thomas Henry Huxley (182595)
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (191662)
“Happy thou art not,
For what thou hast not, still thou strivst to get,
And what thou hast, forgetst.”
—William Shakespeare (15641616)
“When you listen to gongs and drums, listen to the music; when you listen to someone talk, listen to his tone of voice.”
—Chinese proverb.