Sluggy Freelance - Evolution of Comic's Art and Tone

Evolution of Comic's Art and Tone

Sluggy Freelance began with a series of parody plot-lines which, while adding character developments and even some recurring characters were fairly stand-alone. As the comic progressed, however Abrams began adding ongoing mysteries, intrigues and a series of "epic" stories that took Sluggy in a different direction. An example is the introduction of the mysterious character Oasis, whose mysterious past and threat to the cast becomes a backbone of some of the most important later plots. Abrams art also took on an increasingly dynamic and complex tone in many of these later stories, including weeks of full color or experimental graphics and as many as 15 panels in a single day, making the strip feel more like a comic book or graphic novel in some of its most dramatic moments. Despite this, Abrams worked hard to maintain the comic's characteristic humor and quirkiness even in the midst of moments of great emotion and levity. A notable example of this deepening of the drama in the webcomic is the chapter "Fire and Rain" which broke several traditions in the site, has a far more dark and detailed art style and is almost completely free of comical elements.

In early 2007, with the start of the Chapter Entitled "Aylee" Abrams announced on his sites' news-feed that he had intentions to complete the Sluggy Freelance story after 10 years, and that the comic was entering its "Endgame," with dramatic changes that would impact the characters deeply. He hinted, however that it would likely take the strip some time to tie up all the loose ends in question.

Read more about this topic:  Sluggy Freelance

Famous quotes containing the words evolution of, evolution, comic, art and/or tone:

    The evolution of a highly destined society must be moral; it must run in the grooves of the celestial wheels.
    Ralph Waldo Emerson (1803–1882)

    By contrast with history, evolution is an unconscious process. Another, and perhaps a better way of putting it would be to say that evolution is a natural process, history a human one.... Insofar as we treat man as a part of nature—for instance in a biological survey of evolution—we are precisely not treating him as a historical being. As a historically developing being, he is set over against nature, both as a knower and as a doer.
    Owen Barfield (b. 1898)

    Of course, the comic figure in all this is the long-suffering Mr. Wilkes. Mr. Wilkes—who can’t be mentally faithful to his wife and won’t be unfaithful to her technically.
    Sidney Howard (1891–1939)

    Let the long contention cease! Geese are swans, and swans are geese. Let them have it how they will! Thou art tired; best be still.
    Matthew Arnold (1822–1888)

    He doesn’t know a damn thing about China ... That’s what makes him an expert. He knows nothing about music, being tone deaf. That’s what makes him a musician ... And he’s batty in the head. That’s what makes him a philosopher.
    William Carlos Williams (1883–1963)