Slow Reading - Slow Movement

Slow Movement

Carl Honoré wrote the best-selling book about the slow movement, In Praise of Slow. Honoré's interest in the slow movement began one day in an airport when he saw a book called The One-Minute Bedtime Story. At first it struck him as brilliant — the cure to his nightly tug-of-war with his son’s demands for more stories — then the absurdity of his fast lifestyle called him to his senses. The slow movement acknowledges that "speed has helped to remake our world in ways that are wonderful and liberating" (2004) but our obsession with speed has turned into an addiction. "When you accelerate things that should not be accelerated, when you forget how to slow down, there is a price to pay." Slow reading is recommended as one of several practices to decelerate from the fast pace of modern life. Jennings (2005) also discussed the book.

Slow reading from this perspective is somewhat different from its tradition in philosophy and literature. As a practice for achieving balance, slow reading often involves reading light material at a relaxed pace for pleasure, and not just complex materials read slowly for insight. Also, the slow movement has a strong theme of locality. Most notably, the slow food movement encourages buying local foods. With slow reading, this idea takes the form of encouraging local authors, micro-publishing of materials of local interest, and community building around local libraries and reading events.

The Slow Book Movement was officially founded in Lebanon Springs, NY, in November, 2009, by novelist I. Alexander Olchowski. In the midst of becoming a nonprofit entity, this movement aims to actively promote the act of slowing down to read books. In addition to the Founding Director, Mr. Olchowski, The Slow Book Movement's Assistant Director is Amanda Giracca.

Read more about this topic:  Slow Reading

Famous quotes containing the words slow and/or movement:

    The poor live slow and hard; the rich, fast and easy. The rest of us shuffle along as we may.
    Mason Cooley (b. 1927)

    The director is simply the audience. So the terrible burden of the director is to take the place of that yawning vacuum, to be the audience and to select from what happens during the day which movement shall be a disaster and which a gala night. His job is to preside over accidents.
    Orson Welles (1915–1984)