Critical and Queer Attention
Slash fiction has received more academic attention than other genres of fan fiction. Slash fiction was the subject of several notable academic studies in the early 1990s, as part of the cultural studies movement within the humanities: Most of these, as is characteristic of cultural studies, approach slash fiction from an ethnographic perspective and talk primarily about the writers of slash fiction and the communities that form around slash fiction. Slashers have been configured as fans who resisted culture. Some studies - for example by Italian anthropologist Mirna Ciconi - focus on textual analysis of slash fiction itself.
Slash fiction was often ignored by queer theorists. However, slash fiction has been described as important to the LGBT community and the formation of queer identities, as it represents a resistance to the expectation of compulsory heterosexuality, but has also been noted as being unrepresentative of the gay community, being more a medium to express feminist frustration with popular and speculative fiction.
Science fiction writer Joanna Russ (herself a lesbian), author of How to Suppress Women's Writing, was one of the first major science fiction writers to take slash fiction and its cultural and literary implications seriously.
Read more about this topic: Slash Fiction
Famous quotes containing the words critical, queer and/or attention:
“From whichever angle one looks at it, the application of racial theories remains a striking proof of the lowered demands of public opinion upon the purity of critical judgment.”
—Johan Huizinga (18721945)
“Men, my dear, are very queer animals, a mixture of horse- nervousness, ass-stubbornness, and camel-malicewith an angel bobbing about unexpectedly like the apple in the posset, and when they can do exactly as they please, they are very hard to drive.
Oh, England. Sick in head and sick in heart,
Sick in whole and every part,
And yet sicker thou art still
For thinking that thou art not ill.”
—Thomas Henry Anonymous (182595)
“It is of the highest importance in the art of detection to be able to recognise out of a number of facts which are incidental and which are vital.... I would call your attention to the curious incident of the dog in the night-time.
The dog did nothing in the night-time.
That was the curious incident.”
—Sir Arthur Conan Doyle (18591930)