Safety Bindings
In 1937 Hjalmar Hvam broke his leg skiing, and while recuperating from surgery, invented the Saf-Ski toe binding. This was a metal clip with a pyramidal top that fit into a slot cut into the sole of the ski boot. When the boot was rotated forward, the slot on the toe eventually rose above the metal pyramid, allowing the toe to release from the ski. The system was considered with suspicion by professional skiers, especially when Olaf Rodegaard released during a race. However, Rodegaard credits the release with saving him from a broken leg. In the post-war era, Hvam sold several thousand pairs of Saf-Ski's, in an era when downhill skiing was in its infancy. Hvam continued to sell the Saf-Ski into the 1960s, but in 1966 his insurance rates increased so dramatically that he was forced from the market.
A dramatic advance was introduced as the Look Nevada in 1950. The Nevada held the toe centred over the ski using two metal fingers shaped into an upside-down V. The fingers were pivoted to allow motion to the sides, and centred with a spring. During a fall, sideways torsion could overcome the force of the spring and allow the boot to release directly to the side. This design was quickly copied by other vendors, notably Marker, and had the first real impact on the dominance of the classic fixed-toe bindings. By the late 1950s, there were about 35 different release toe bindings on the US market, most of which used a normal Kandahar-style heel cable.
The first modern heel-and-toe binding was the Cubco binding, first introduced in 1950 but not popular until about 1960. A heel-release binding faced the problem that there was no obvious place to attach to on the heel, so the Cubco solved this by screwing small metal clips into the sole of the boot. This also eliminated the changes in performance as the sole of the boot wore down, or the geometry of the sole changed as the boot wore-in to the skiers foot. Marker introduced the Rotomat, which gripped onto the sole where it extended past the heel, and Look quickly followed suit with their Grand Prix design. By the mid 1960s, release bindings that worked on both the heel and the toe were common, and by the late 1960s the cable binding had disappeared from downhill.
One problem with 1960s release bindings was that the boots were not standardized, and a binding that worked well on one boot might be dangerous on another, or might become dangerous over time as the boot shifted about. This led to the introduction of plate bindings, which used a metal plate firmly clipped to the sole of the boot, and bindings that clamped onto the plate. The plate could be easily removed for walking about. Plate bindings were popular in the US in the 1970s, notably the BURT Retractable Bindings and Spademan binding, but never caught on in any major way in Europe. As more and more of the downhill ski market came under control of European companies, the plate bindings disappeared, in spite of their excellent safety records.
The disappearance of the plate and alternate systems was due to a combination of factors, notably the introduction of standardized hard plastic boots. Plastic was first introduced by Lange as a way of improving existing leather designs. As the new material spread through the industry, the sole piece was standardized to allow toe-and-heel bindings to clip on. Plastic had the advantages of being much firmer than leather, not changing shape over time, and having predictable friction characteristics wet or dry. Although plate bindings of the era had much better safety records, notably the Spademan design, the new boots and bindings could be easily adapted to any ski for any skier.
Read more about this topic: Ski Binding, History
Famous quotes containing the word safety:
“A lover is never a completely self-reliant person viewing the world through his own eyes, but a hostage to a certain delusion. He becomes a perjurer, all his thoughts and emotions being directed with reference, not to an accurate and just appraisal of the real world but rather to the safety and exaltation of his loved one, and the madness with which he pursues her, transmogrifying his attention, blinds him like a victim.”
—Alexander Theroux (b. 1940)