Game Play and Rules
1. Players decide what colors to play, and who starts first. Players alternate their turns, and only use one piece to either move or capture per turn.
2. Each players pieces are initially set up on the first four ranks of their side of the board.
3. A piece moves one space per turn in any direction following the pattern on the board onto an unoccupied point on the board.
4. A piece can capture an enemy piece in any direction by the short leap as in draughts or Alquerque. The player's piece must be adjacent to the enemy piece, and leap over it onto a vacant point on the other side. The leap must be in a straight line following the pattern on the board. The same piece can continue to capture and even change direction to capture provided capturing requirements are satisfied. Captures are compulsory. A piece must continue to capture if it is able to do so. Captured pieces are removed from the board.
5. If a player does not capture any enemy piece during their turn, but was actually able to do so, then the other player removes that piece that failed to make its capture from the board. If there is more than one piece to choose from, any one will do. The piece is said to be "huffed", and then removed.
6. If a player has more than one option to capture, then the player can choose any one (and only one) of them.
Read more about this topic: Sixteen Soldiers
Famous quotes containing the words game, play and/or rules:
“In the game of “Whist for two,” usually called “Correspondence,” the lady plays what card she likes: the gentleman simply follows suit. If she leads with “Queen of Diamonds,” however, he may, if he likes, offer the “Ace of Hearts”: and, if she plays “Queen of Hearts,” and he happens to have no Heart left, he usually plays “Knave of Clubs.””
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“There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.”
—Muriel Rukeyser (1913–1980)
“A man often thinks he rules himself, when all the while he is ruled and managed; and while his understanding directs one design, his affections imperceptibly draw him into another.”
—François, Duc De La Rochefoucauld (1613–1680)