Culture
The traditional culture of Siwa shows many features unusual in Egypt, some reflecting its longstanding links with the Maghreb and the fact that the inhabitants are of Berber origin. Until a tarmacadamed road was built to the Mediterranean coast in the 1980s Siwa’s only links with the outside world were by arduous camel tracks through the desert. These were used to export dates and olives, bring trade goods, or carry pilgrims on the route which linked the Maghreb to Cairo and hence to Mecca.
As a result of this isolation, the Berber inhabitants of the Oasis developed a unique culture manifested in its crafts of basketry, pottery, silverwork and embroidery and in its style of dress. The most visible and celebrated examples of this were the bridal silver and the ensemble of silver ornaments and beads that women wore in abundance to weddings and other ceremonies.
The best known of these pieces are a huge silver disc called ‘adrim’ and a torc, called ‘aghraw’ from which it hung over the breast. A girl would give up the disc at a special ceremony at the Spring the day she was married. The jewellery, which was made by local silversmiths, comprised silver necklaces, earrings, bangles, hair ornaments, pendants and many rings. For a wealthy woman, the full ensemble could weigh as much as five or six kilos. These pieces are decorated with symbols common to Berber people across North Africa designed to promote good health, fertility and to protect the wearer from misfortune. Some of the same signs and patterns are found on the embroidery which embellishes women’s dresses, trousers and shawls.
The arrival of the road and of television exposed the oasis to the styles and fashions of the outside world and the traditional silver ornaments were gradually replaced by gold. Evidence of the old styles and traditions are however still in evidence in the women’s embroidery and costume.
Read more about this topic: Siwa Oasis
Famous quotes containing the word culture:
“The future is built on brains, not prom court, as most people can tell you after attending their high school reunion. But you’d never know it by talking to kids or listening to the messages they get from the culture and even from their schools.”
—Anna Quindlen (b. 1953)
“Letting a hundred flowers blossom and a hundred schools of thought contend is the policy for promoting the progress of the arts and the sciences and a flourishing culture in our land.”
—Mao Zedong (1893–1976)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)