Sir Arne's Treasure - Production

Production

The first plan for a film adaption of Selma Lagerlöf's The Treasure at Svenska Biografteatern, the dominating production company in Sweden during the silent era, was in 1915, but fell through. In 1917 a stage adaptation of the story premiered at Deutsches Theater in Berlin, and an offer was received from a German film company which wanted to adapt it. After the play was staged in Gothenburg the following year, Svenska Biografteatern decided to go ahead and produce the film themselves. The screenplay by Mauritz Stiller and Gustaf Molander differs from the novel in that it tells the story in a more strictly chronological order, and incorporates some details which were introduced in the German play. Stiller also chose to tone down the story's supernatural elements.

Filming took place from 12 February to 10 May 1919, in the studio area of Svenska Filmbiografen, later AB Svensk Filmindustri, on Lidingö, Stockholm, where the alleys of Marstrand had been reconstructed. Other exterior scenes were shot in the nearby area on Lidingö and Lilla Värtan, as well as around Furusund in the Stockholm archipelago, where the ship had been left over the winter and frozen in. Some filming took place further north in Skutskär, and around Sollefteå in Ångermanland.

Read more about this topic:  Sir Arne's Treasure

Famous quotes containing the word production:

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    ... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.
    Emma Goldman (1869–1940)

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)