Simona Ventura - Programs

Programs

  • Domani sposi (Rai 1, 1988)
  • Domenica In (Rai 1, 1991-1992)
  • Pavarotti International (Rai 1, 1991)
  • Domenica Sportiva (Rai 1, 1992)
  • Mai dire gol (Italia 1, 1994-1997)
  • Cuori e denari (Canale 5, 1995)
  • Scherzi a parte (Italia 1,1995; Canale 5,1999)
  • Boom (Canale 5, 1998)
  • Festivalbar 1997 (Italia 1, 1997)
  • Gli indelebili '99 (Italia 1, 1999)
  • Matricole (Italia 1, 1997-2000)
  • Le Iene (Italia 1, 1997-2001)
  • Comici (Italia 1, 2000)
  • Cari amici miei (Italia 1, 2000)
  • Zelig - Facciamo cabaret (Italia 1, 2000-2001)
  • Piccole Canaglie (Italia 1, 2001)
  • Quelli che... il calcio (Rai 2, 2001-2011)
  • Dopofestival (Rai 1, 2002)
  • La grande notte del lunedì sera (Rai 2, 2002)
  • L'isola dei famosi (Rai 2, 2003-2011)
  • Festival di Sanremo (Rai 1, 2004)
  • Le tre scimmiette (Rai 1, 2005)
  • Music Farm (Rai 2, 2005-2006)
  • Colpo di genio (Rai 1, 2007)
  • X Factor (Rai 2, 2008-2009; Rai 1, 19 Aprile 2009; Sky Uno, Dal 2011)
  • Simona Goes to Hollywood (Sky Uno, 2012)
  • Oscar Fashion Night (Sky Uno, 2012)
  • Simona goes to Hollywood – The day after (Sky Uno, 2012)

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Famous quotes containing the word programs:

    “Government ... thought [it] could transform the country through massive national programs, but often the programs did not work. Too often they only made things worse. In our rush to accomplish great deeds quickly, we trampled on sound principles of restraint and endangered the rights of individuals.”
    —Gerald R. Ford (b. 1913)

    “We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
    —Richard Louv (20th century)

    “Will TV kill the theater? If the programs I have seen, save for “Kukla, Fran and Ollie,” the ball games and the fights, are any criterion, the theater need not wake up in a cold sweat.”
    —Tallulah Bankhead (1903–1968)