Critical Theory
Reynolds has become well known for his incorporation of critical theory in his analysis of music. He has written extensively on gender, class, race, and sexuality, and their influence on music. The Sex Revolts discusses gender in rock music. In his study of the relationship between class and music, Reynolds coined the term liminal class, defined as the upper-working class and lower-middle-class. This is a group he credits with "a lot of music energy".
Reynolds has also written extensively about drug culture and its relationship to and effect on music. In his book, Generation Ecstasy, Reynolds traces the effects of drugs on the ups and downs of the rave scene. His evidence of his interest in the topic can be found in Generation Ecstasy, and in his review of Trainspotting, among other things.
Reynolds was influenced by philosophers and music theorists, including Gilles Deleuze, Félix Guattari, Brian Eno, Joe Carducci and the Situationists. He has on occasion used the Marxist concepts of commodity fetishism and false consciousness to describe attitudes prevalent in hip hop music.
Read more about this topic: Simon Reynolds
Famous quotes containing the words critical and/or theory:
“The male has been persuaded to assume a certain onerous and disagreeable rôle with the promise of rewards—material and psychological. Women may in the first place even have put it into his head. BE A MAN! may have been, metaphorically, what Eve uttered at the critical moment in the Garden of Eden.”
—Wyndham Lewis (1882–1957)
“The theory of truth is a series of truisms.”
—J.L. (John Langshaw)