Critical Theory
Reynolds has become well known for his incorporation of critical theory in his analysis of music. He has written extensively on gender, class, race, and sexuality, and their influence on music. The Sex Revolts discusses gender in rock music. In his study of the relationship between class and music, Reynolds coined the term liminal class, defined as the upper-working class and lower-middle-class. This is a group he credits with "a lot of music energy".
Reynolds has also written extensively about drug culture and its relationship to and effect on music. In his book, Generation Ecstasy, Reynolds traces the effects of drugs on the ups and downs of the rave scene. His evidence of his interest in the topic can be found in Generation Ecstasy, and in his review of Trainspotting, among other things.
Reynolds was influenced by philosophers and music theorists, including Gilles Deleuze, Félix Guattari, Brian Eno, Joe Carducci and the Situationists. He has on occasion used the Marxist concepts of commodity fetishism and false consciousness to describe attitudes prevalent in hip hop music.
Read more about this topic: Simon Reynolds
Famous quotes containing the words critical and/or theory:
“The critical spirit never knows when to stop meddling.”
—Mason Cooley (b. 1927)
“It is not enough for theory to describe and analyse, it must itself be an event in the universe it describes. In order to do this theory must partake of and become the acceleration of this logic. It must tear itself from all referents and take pride only in the future. Theory must operate on time at the cost of a deliberate distortion of present reality.”
—Jean Baudrillard (b. 1929)