Simon Gray - Plays

Plays

  • Wise Child, Wyndham's Theatre (1967)
  • Dutch Uncle, Aldwych Theatre (1969)
  • The Idiot (adapted from Dostoyevsky), Old Vic (1970)
  • Spoiled, Haymarket Theatre (February 1971)
  • Butley, Criterion Theatre (1971)
  • Otherwise Engaged, Queen's Theatre (1975)
  • Dog Days, Oxford 1976; Eyre Methuen (1976) ISBN 0-413-37270-7
  • Molly, stage adaptation of his television play Death of a Teddy Bear (1967), based on the Francis Rattenbury 1935 murder case, Comedy Theatre (1978)
  • The Rear Column, The Globe Theatre (1978); Eyre Methuen (1978) ISBN 0-413-39170-1
  • Close of Play, National Theatre Lyttelton (1979)
  • Stage Struck, Vaudeville Theatre (1979)
  • Quartermaine's Terms, Queen's Theatre (1981)
  • Tartuffe (adaptation), Kennedy Center, Washington, D.C. (1982)
  • The Common Pursuit, Lyric Hammersmith (1984)
  • Melon (later revised as The Holy Terror), Theatre Royal Haymarket (1987)
  • Hidden Laughter, Vaudeville Theatre (1990)
  • The Holy Terror, Temple of Arts Theater, Tucson, Arizona (1991)
  • Cell Mates, Albery Theatre (1995)
  • Simply Disconnected, sequel to Otherwise Engaged, Minerva Theatre, Chichester (1996)
  • Life Support, Aldwych Theatre (1997)
  • Just the Three of Us, Yvonne Arnaud Theatre (1997); Nick Hern Books (1999) ISBN 1-85459-434-6
  • The Late Middle Classes, Watford Palace (1999)
  • Japes, Peter Hall Company, Mercury Theatre, Colchester (2000) and Theatre Royal Haymarket (2001)
  • Japes Too and Michael, published in Four Plays by Faber (2004) ISBN 0-571-21988-8
  • The Pig Trade, published in Four Plays (2004)
  • The Holy Terror (revival), Duke of York's Theatre (2004)
  • The Old Masters featuring art critic Berenson and art dealer Duveen, Comedy Theatre (2004)
  • Little Nell, BBC Radio 4 (2006); Theatre Royal, Bath (2007)
  • Missing Dates, BBC Radio 4 (1 March 2008)

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Famous quotes containing the word plays:

    The plays of children are nonsense, but very educative nonsense. So it is with the largest and solemnest things, with commerce, government, church, marriage, and so with the history of every man’s bread, and the ways by which he is to come by it.
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    The key word in my plays is “perhaps.”
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    He that plays the king shall be welcome.
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