Gaon's Philosophy and Style
In his work, Gaon is influenced more by his temperament than intellectualism. He prefers to take risks, and edit later, putting the living experience of painting at the forefront of his craft. As an action painter, he immerses himself physically in his art, using pigment, emotion, and poetry to reinvent nature in a personal way. He paints nature and the city with abandonment and freedom, harnessing the different layers of the subconscious to help form the painting. However, life in all its an energy and contradiction remains his inspiration. Subjects of his art include the night, the stormy sea, and the frenetic, carnival like, neon lit city.
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Famous quotes containing the words philosophy and/or style:
“Philosophy can be compared to some powders that are so corrosive that, after they have eaten away the infected flesh of a wound, they then devour the living flesh, rot the bones, and penetrate to the very marrow. Philosophy at first refutes errors. But if it is not stopped at this point, it goes on to attack truths. And when it is left on its own, it goes so far that it no longer knows where it is and can find no stopping place.”
—Pierre Bayle (1647–1706)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)