Gaon's Philosophy and Style
In his work, Gaon is influenced more by his temperament than intellectualism. He prefers to take risks, and edit later, putting the living experience of painting at the forefront of his craft. As an action painter, he immerses himself physically in his art, using pigment, emotion, and poetry to reinvent nature in a personal way. He paints nature and the city with abandonment and freedom, harnessing the different layers of the subconscious to help form the painting. However, life in all its an energy and contradiction remains his inspiration. Subjects of his art include the night, the stormy sea, and the frenetic, carnival like, neon lit city.
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“The Emmet’s Inch and Eagle’s Mile
Make Lame Philosophy to smile.”
—William Blake (1757–1827)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)