Gaon's Philosophy and Style
In his work, Gaon is influenced more by his temperament than intellectualism. He prefers to take risks, and edit later, putting the living experience of painting at the forefront of his craft. As an action painter, he immerses himself physically in his art, using pigment, emotion, and poetry to reinvent nature in a personal way. He paints nature and the city with abandonment and freedom, harnessing the different layers of the subconscious to help form the painting. However, life in all its an energy and contradiction remains his inspiration. Subjects of his art include the night, the stormy sea, and the frenetic, carnival like, neon lit city.
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Famous quotes containing the words philosophy and/or style:
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (1886–1965)
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
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