Historical Importance
Centuries ago, Arabia did not have schools for formal education. Students went to masters who taught them. Upon completion of their study, they received ijazah (permission) which acted as the certification of education. A graduate then acted as a master having his own students. This chain of masters was known as Silsila. Somewhat analogous to the modern situation where degrees are only accepted from recognized universities, the certification of a master having a verifiable chain of masters was the only acceptable legitimation:
"Theoretically one can only receive instruction in these practices (talqîn) from an authorised teacher of the tariqa, and only after pledging a vow of obedience (bay'ah) to this shaikh. The shaikh gives his disciples permission (ijâza) to practice the tariqa: he may also authorise one or more of them to teach it to others, i.e. appoint them as his khalîfa. In this way a hierarchically ordered network of teachers may emerge. Each shaikh can show a chain of authorities for the tarekat he teaches, his silsila or spiritual genealogy. Usually the silsila reaches back from one's own teacher up to the Prophet, with whom all tarekats claim to have originated although there have been modifications along the way. A Sufi's silsila is his badge of identity and source of legitimation; it provides him with a list of illustrious predecessors and shows how he is related to other Sufis."
Silsila can be of a partial knowledge or a book as well. All Hafiz (memorizers of Quran), Muhaddiths (narrators of Hadiths), Qaries (reciters of Quran with correct accent and pronunciation) are given a chain of credible narrators linking to the Islamic prophet Muhammad.
Even today, when there are formal religious schools known as Madrasah, traditional madrassas will mention in their certification the chain of masters linking to Muhammed.
Read more about this topic: Silsila
Famous quotes containing the words historical and/or importance:
“In public buildings set aside for the care and maintenance of the goods of the middle ages, a staff of civil service art attendants praise all the dead, irrelevant scribblings and scrawlings that, at best, have only historical interest for idiots and layabouts.”
—George Grosz (1893–1959)
“People without imagination are beginning to tire of the importance attached to comfort, to culture, to leisure, to all that destroys imagination. This means that people are not really tired of comfort, culture and leisure, but of the use to which they are put, which is precisely what stops us enjoying them.”
—Raoul Vaneigem (b. 1934)