Silent Storm Engine - Features

Features

The engine features an advanced physics model—nearly all structures are destructible, and ragdoll physics is employed for bodies with variation according to the precise velocity and impact of projectiles. Three-dimensional mapping allows for obstruction calculations and cover effects from any direction. Bullets ricochet, and their stopping power depends on the strength of the weapon. Also modeled are materials' effectiveness at stopping ordnance and visibility based on lighting conditions. All these effects are, however, exaggerated for a more cinematic experience (e.g., a hail of non-fatal bullets only makes the target shake, but a single fatal bullet can send the target flying), which has been praised by some reviewers as a feature. Reviewer Greg Kasavin commented that "pray and spray" tactics are quite viable, as the game uses silhouettes to mark enemies' estimated positions when they happen to lie out of eyesight but within earshot.

Mechanics common to role-playing video games are also featured, such as the ability for characters to be customized over time. The player's units gain experience points over time for completing actions, which can later be spent on purchasing new skills and abilities. The engine also uses an action point system, whereby players can select from various actions, such as firing modes, stances and forms of movement. A sequel, Silent Storm: Sentinels, introduced weapon degradation to the series.

Read more about this topic:  Silent Storm Engine

Famous quotes containing the word features:

    These, then, will be some of the features of democracy ... it will be, in all likelihood, an agreeable, lawless, particolored commonwealth, dealing with all alike on a footing of equality, whether they be really equal or not.
    Plato (c. 427–347 B.C.)

    “It looks as if
    Some pallid thing had squashed its features flat
    And its eyes shut with overeagerness
    To see what people found so interesting
    In one another, and had gone to sleep
    Of its own stupid lack of understanding,
    Or broken its white neck of mushroom stuff
    Short off, and died against the windowpane.”
    Robert Frost (1874–1963)

    It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.
    Christopher Lasch (b. 1932)