"Hollywood Movie" Graphics
Graphics have been enhanced significantly over those of the predecessor, and according to the developers, the game's menu system and game-play is to look like a Hollywood movie. The developers chose this approach to appeal to a larger fan-base, hoping to attract players of more simplistic, action-oriented games as well as simulator players.
Graphics were enhanced in the following ways:
- Character models were greatly improved
- Water can be set to be transparent in the graphics option
- Smoke and flames extend further
- Terrain and terrain features such as trees were greatly improved
- Harbors feature eye-candy such as animated cranes and cars/trucks
- Ships hit by torpedoes or grenades now have actual visible damage (SH3 torpedoes and grenades only created black "dots" on the impact area) meaning if the player makes a hole in a heavy cruiser using a Mk-10 torpedo, then he/she DOES make a hole in the said heavy cruiser, allowing the player to actually turn the enemy ships(OR his own sub if not careful with the destroyers) into piles of slowly sinking scrap
- Radars and hydrophones on subs does now move
- When the player sub is damaged, crew personnel may sometimes have stains of oil on their clothes
- Enemy ships ramming the player sub receive damage
- Enemy ships communicate with signal lights
- The damage control crew is visible(when active, crew members can be seen around the interior working with wrenches)
- Crew at the bridge look dizzy and disoriented when wounded
- Enemy ships have visible deck crew
- Said deck crew "goes away" when torpedoes or grenades hits the ship if the Crew is close enough to the blast area
- If the mentioned "go away crew" blast area does not reach a crew member, he will start to look confused and scared instead
Read more about this topic: Silent Hunter 4: Wolves Of The Pacific
Famous quotes containing the words hollywood and/or movie:
“Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.”
—Arthur Kroker (b. 1945)
“Each day a few more lies eat into the seed with which we are born, little institutional lies from the print of newspapers, the shock waves of television, and the sentimental cheats of the movie screen.”
—Norman Mailer (b. 1923)