Raga: Melodic Scales
Ragas have a direct relationship to human moods and the following are the connections between Ragas and feeling:
- Soohi – joy and separation
- Bilaaval – happiness
- Gaund – strangeness, surprise, beauty
- Sri – satisfaction and balance
- Maajh – loss, beautification
- Gauri – seriousness
- Aasa – making effort
- Gujri – satisfaction, softness of heart, sadness
- Devgandhari – no specific feeling but the Raag has a softness
- Bihaagra – beautification
- Sorath – motivation
- Dhanasari – inspiration, motivation
- Jaitsree – softness, satisfaction, sadness
- Todi – this being a flexible Raag it is apt for communicating many feelings
- Bhairaagi – sadness, (The Gurus have, however, used it for the message of *Bhakti)
- Tilang – this is a favourite Raag of Muslims. It denotes feeling of beautification and yearning.
- Raamkali – calmness
- Nat Narayan – happiness
- Maali Gaura – happiness
- Maaru – giving up of cowardice
- Tukhari – beautification
- Kedara – love and beautification
- Bhairav – seriousness, brings stability of mind
- Basant – happiness
- Sarang – sadness
- Malaar – separation
- Jaijawanti – viraag
- Kalyaan – Bhakti Ras
- Vadhans – vairaag, loss (that is why Alahniya is sung in this Raag when someone passes away)
- Parbhati – Bhakti and seriousness
- Kaanra – Bhakti and seriousness
In addition to raag names, there exists an indication in the titles of hymns called ghar. The precise meaning of ghar is not fully understood, although recent research proposes it refers to raag variants.
Read more about this topic: Sikh Music
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