Music
The album boasts relatively high production values and ornate arrangements compared to other early-1990s alternative albums. Vig said, "Billy wanted to make a record that people would put on and say, 'What the fuck was that?' We wanted to have things going on in the left ear and right ear all the time". One of Corgan's main goals was to create a sense of sonic depth, but, as Corgan said, "without necessarily using delays or reverbs—to use tonalities instead." For the album, the guitars were layered multiple times. Corgan has stated that "Soma" alone contains up to 40 overdubbed guitar parts. Vig stated that as many as 100 guitar parts were compressed into a single song. Rolling Stone noted that the album was "closer to progressive rock than to punk or grunge."
The subjects of Corgan's lyrics on Siamese Dream varied. Corgan noted that most of his lyrics for the album were about his girlfriend and future wife Chris Fabian, with whom he had briefly broken up at the time he wrote the songs. Corgan occasionally wrote about other subjects. In "Cherub Rock", the album's opening track, Corgan attacked the American music industry, and "Today" is about a day that he was experiencing depression and suicidal thoughts. "Spaceboy" was written as a tribute to his autistic half-brother, Jesse.
Read more about this topic: Siamese Dream
Famous quotes containing the word music:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“We live in the mind, in ideas, in fragments. We no longer drink in the wild outer music of the streets—we remember only.”
—Henry Miller (1891–1980)
“So gladly, from the songs of modern speech
Men turn, and see the stars, and feel the free
Shrill wind beyond the close of heavy flowers,
And through the music of the languid hours,
They hear like ocean on a western beach
The surge and thunder of the Odyssey.”
—Andrew Lang (1844–1912)