Reception
The song has received mixed reception from the media. Jon Caramanica, writing for the New York Times, said that the song "reflects not only Mr. Rich’s songwriting gifts but also his acumen in gauging and channeling the mood of the country, aggressively striking a note of conservative populism rarely seen in any genre of pop since country music’s response to Sept. 11." Country Standard Time critic Jeffrey B. Remz considered the song "ultra-timely" and said that Rich "gets his message across with a lot of twang."
Jim Malec, reviewing it for The 9513, gave it a "thumbs down" rating. He criticized the lyric for "spend most of its time attacking bankers" and otherwise being unsubstantial. He called Rich's voice "serviceable" and said that the melody and production were "engaging." Allmusic critic Stephen Thomas Erlewine, in his review of Son of a Preacher Man, said that the lyrics were the "lowest common denominator, pandering to an audience he's already won."
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
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“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)