Shunsuke Kazama - Drama Guest/SP Roles

Drama Guest/SP Roles

  • Nemureru mori (October 8, 1998 ~ December 24, Fuji TV)
  • big Daisakusen (June 29, 2000, Fuji TV)
  • Kowai nichiyoubi ~2000~ Episode 16 "Father" (October 29, 2000, Nihon Terebi)
  • Kowai nichiyoubi ~2000~ Final Episode (November 11, 2000, Nihon Terebi)
  • Shijou saiaku no date Episode 6 (January 14, 2001, Nihon Terebi)
  • Shōnen wa tori ni natta (April 1, 2001, TBS)
  • 3 nen B gumi Kinpachi-sensei Special "If you guys died I'd cry" (April 5, 2001, TBS)
  • Shijou saiaku no date episode 18 (April 8, 2001, Nihon Terebi)
  • Taikouki Saru to yobareta Otoko (December 27, 2003, Fuji TV)
  • 3 nen B gumi Kinpachi-sensei Series 7 episode 1 (October 15, 2004, TBS)
  • 3 nen B gumi Kinpachi-sensei 25nenme no okuru kotoba (March 25, 2005, TBS)
  • Yankee Bokou ni kaeru ~tabidachi no toki furyoushōnen no yume~ (March 27, 2005, TBS)
  • Nekketsu kaasan jikenbo (September 28, 2006, Nihon Terebi)
  • Sugata Sanshiro (December 6, 2007, TV Tokyo)

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Famous quotes containing the words drama, guest and/or roles:

    Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations—all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.
    Henri-Frédéric Amiel (1821–1881)

    Entertaining angels unawares: It is always we who are to entertain the angels, and never they us. I cannot, however, think that an angel would be a very entertaining person, either as guest or host.
    Samuel Butler (1835–1902)

    There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.
    Ellen Lewis (20th century)