Movement and Frame
The show hunter should have a balanced frame, where they are ‘round’ in their top line and ‘on the bit’ softly. They should have a long, sweeping step that covers maximum ground per minimum effort, and have a rhythmic, 12' stride at the canter. Ideally, the majority of the movement occurs from the horse's shoulder and hip, and there is minimal flexion in the horse's joints.
The frame of the show hunter differs from that of dressage horses, eventers, and show jumpers, as it travels in a long and low frame, with its head moderately extended. Its frame is more "stretched out" than horses competing in dressage, eventing, or show jumping, but the horse should not be on its forehand. The riders of show hunters often ride on a slightly looser rein than seen elsewhere to facilitate this type of movement, and the horse carries its head just in front of the vertical.
Although the horse is in a long and low frame, it should still be able to collect its stride when asked. The horse must also be proficient at lengthening its canter stride while still maintaining its tempo and rhythm.
The walk of the show hunter is free and ground-covering; the trot should be balanced and flowing. The canter should be moderately collected. The horse should have a long galloping stride (12 feet is the expected length), but it should still be balanced and rhythmic.
Read more about this topic: Show Hunter
Famous quotes containing the words movement and/or frame:
“Institutional psychiatry is a continuation of the Inquisition. All that has really changed is the vocabulary and the social style. The vocabulary conforms to the intellectual expectations of our age: it is a pseudo-medical jargon that parodies the concepts of science. The social style conforms to the political expectations of our age: it is a pseudo-liberal social movement that parodies the ideals of freedom and rationality.”
—Thomas Szasz (b. 1920)
“Human life itself may be almost pure chaos, but the work of the artist—the only thing he’s good for—is to take these handfuls of confusion and disparate things, things that seem to be irreconcilable, and put them together in a frame to give them some kind of shape and meaning. Even if it’s only his view of a meaning. That’s what he’s for—to give his view of life.”
—Katherine Anne Porter (1890–1980)