Music and Song Structure
"Show Don't Tell" illustrates Rush's move away from synthesizer in favour of a more guitar-oriented approach; the band favoured a more funk/groove style of play and away from the 1980s style of music typical in the two preceding albums Power Windows and Hold Your Fire. In Rush's music of the late 1970s and early 1980s, their progressive rock is indicated by asymmetric time signatures and lyrics fitting into a concept album, and in "Show Don't Tell", their progressive rock is shown by using a very complex riff played in unison by the members of the band. The band chose to use more funk by using extended chord tones, a dramatic pause eighteen seconds into the song and other methods as well.
The funkier song structure proved to be difficult for Neil Peart when he played the drums for the song. He explained in Canadian Musician,
" 'Show Don't Tell' begins with a syncopated guitar riff that appears two or three times throughout the song. That was about the hardest thing for me to find the right pattern for. I wanted to maintain a groove and yet follow the bizarre syncopations that the guitar riff was leading into. It was demanding technically, but at the same time, because of that, we were determined that it should have a rhythmic groove under it. It's not enough for us to produce a part that's technically demanding; it has to have an overwhelming significance musically. So it had to groove into the rest of the song and it had to have a pulse to it that was apart from what we were playing."
Read more about this topic: Show Don't Tell (song)
Famous quotes containing the words music and, music, song and/or structure:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.”
—William Shakespeare (1564–1616)
“And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside fire.”
—Robert Louis Stevenson (1850–1894)
“When a house is tottering to its fall,
The strain lies heaviest on the weakest part,
One tiny crack throughout the structure spreads,
And its own weight soon brings it toppling down.”
—Ovid (Publius Ovidius Naso)