Songs
(as listed on the Internet Movie Database)
- Cotton Blossom - mixed chorus of dock workers (song begins over opening credits)
- Cap'n Andy's Ballyhoo - Charles Winninger, danced by Queenie Smith and Sammy White
- Where's the Mate For Me? - Allan Jones
- Make Believe - Allan Jones and Irene Dunne
- Ol' Man River - Paul Robeson and men's chorus of dock workers
- Can't Help Lovin' Dat Man - Helen Morgan, Hattie McDaniel, Paul Robeson and levee workers, danced by Dunne and levee workers
- Life Upon the Wicked Stage (instrumental version) - show boat brass band
- I Have The Room Above Her - Allan Jones and Irene Dunne
- At The Fair (which opens Act II of the original show) - (instrumental version) - show boat brass band
- Gallivantin' Around -Irene Dunne and show boat chorus, danced by Irene Dunne and show boat chorus
- Ol' Man River (partial only) - Dock workers (humming)
- You Are Love - Allan Jones and Irene Dunne
- Cakewalk from Act I Finale - danced by levee workers
- Ol' Man River (partial reprise) - Paul Robeson in voiceover
- Ah Still Suits Me - Paul Robeson and Hattie McDaniel
- Why Do I Love You - heard as instrumental background music
- Nun's Processional - nuns' chorus (Sung in Latin)
- Make Believe (reprise) - Allan Jones
- Bill - Helen Morgan
- Can't Help Lovin' Dat Man (reprise) - Irene Dunne, danced by Sammy White
- Goodbye, My Lady Love -Queenie Smith and Sammy White, danced by them also
- After The Ball - Irene Dunne and Trocadero chorus
- Make Believe (reprise) (partial, and added to the film) - Allan Jones
- Gallivantin' Around (instrumental reprise) - danced by Sunnie O'Dea and dancers
- Finale (You Are Love and Ol' Man River) - Irene Dunne, Allan Jones, and, in voiceover, Paul Robeson
Read more about this topic: Show Boat (1936 Film)
Famous quotes containing the word songs:
“We who with songs beguile your pilgrimage
And swear that Beauty lives though lilies die,
We Poets of the proud old lineage
Who sing to find your hearts, we know not why,”
—James Elroy Flecker (1884–1919)
“Dylan is to me the perfect symbol of the anti-artist in our society. He is against everything—the last resort of someone who doesn’t really want to change the world.... Dylan’s songs accept the world as it is.”
—Ewan MacColl (1915–1989)
“On a cloud I saw a child,
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So I piped, he wept to hear.
“Drop thy pipe thy happy pipe
Sing thy songs of happy chear”;
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—William Blake (1757–1827)