Songs
(as listed on the Internet Movie Database)
- Cotton Blossom - mixed chorus of dock workers (song begins over opening credits)
- Cap'n Andy's Ballyhoo - Charles Winninger, danced by Queenie Smith and Sammy White
- Where's the Mate For Me? - Allan Jones
- Make Believe - Allan Jones and Irene Dunne
- Ol' Man River - Paul Robeson and men's chorus of dock workers
- Can't Help Lovin' Dat Man - Helen Morgan, Hattie McDaniel, Paul Robeson and levee workers, danced by Dunne and levee workers
- Life Upon the Wicked Stage (instrumental version) - show boat brass band
- I Have The Room Above Her - Allan Jones and Irene Dunne
- At The Fair (which opens Act II of the original show) - (instrumental version) - show boat brass band
- Gallivantin' Around -Irene Dunne and show boat chorus, danced by Irene Dunne and show boat chorus
- Ol' Man River (partial only) - Dock workers (humming)
- You Are Love - Allan Jones and Irene Dunne
- Cakewalk from Act I Finale - danced by levee workers
- Ol' Man River (partial reprise) - Paul Robeson in voiceover
- Ah Still Suits Me - Paul Robeson and Hattie McDaniel
- Why Do I Love You - heard as instrumental background music
- Nun's Processional - nuns' chorus (Sung in Latin)
- Make Believe (reprise) - Allan Jones
- Bill - Helen Morgan
- Can't Help Lovin' Dat Man (reprise) - Irene Dunne, danced by Sammy White
- Goodbye, My Lady Love -Queenie Smith and Sammy White, danced by them also
- After The Ball - Irene Dunne and Trocadero chorus
- Make Believe (reprise) (partial, and added to the film) - Allan Jones
- Gallivantin' Around (instrumental reprise) - danced by Sunnie O'Dea and dancers
- Finale (You Are Love and Ol' Man River) - Irene Dunne, Allan Jones, and, in voiceover, Paul Robeson
Read more about this topic: Show Boat (1936 Film)
Famous quotes containing the word songs:
“And songs climb out of the flames of the near campfires,
Pale, pastel things exquisite in their frailness
With a note or two to indicate it isnt lost,
On them at least. The songs decorate our notion of the world
And mark its limits, like a frieze of soap-bubbles.”
—John Ashbery (b. 1927)
“How learned he bitter songs of lost Iambe,
Or that a cup-shaped breast is nothing vile?”
—Allen Tate (18991979)
“We can never see Christianity from the catechism:Mfrom the pastures, from a boat in the pond, from amidst the songs of wood- birds we possibly may.”
—Ralph Waldo Emerson (18031882)