Early Life and Career
Shola Ama was born in Paddington, London, England, of a white father (Scottish and Irish) and St Lucian mother. She attended Quintin Kynaston School in the early 1990s. At 15 she was singing to herself on a platform at Hammersmith tube station, and was overheard by Kwame Kwaten, a producer at the FreakStreet record label. In 1995 an unknown independent label released a single titled "Celebrate", which was a ballad produced by D'Influence. Although the single was not a commercial success, it did draw attention to Shola Ama as an artist. On her 16th birthday she signed a recording contract with WEA.
The single "You're The One I Love" was her first single release for WEA in 1996, although it barely made an impact on the charts, only managing to reach #85. Her second WEA single "You Might Need Somebody" remains her biggest hit. This Randy Crawford cover reached #4 in the UK Singles Chart. It remained in the top 40 for almost two months, becoming one of 1997's biggest hits. A re-release of "You're The One I Love" followed and reached #3. At the age of 18, Shola Ama released her debut album Much Love (1997).
On the success of the album Shola Ama won a Brit Award for Best British Female and two MOBO Awards for Best Newcomer and Best R&B Act.
Read more about this topic: Shola Ama
Famous quotes containing the words early life, early, life and/or career:
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
—Hortense Odlum (1892–?)
“Men and women are not born inconstant: they are made so by their early amorous experiences.”
—Andre Maurois (1885–1967)
“Art is beauty, and every exposition of art, whether it be music, painting, or the drama, should be subservient to that one great end. As long as nature is a means to the attainment of beauty, so-called realism is necessary and permissable [sic], but it must be realism enhanced by idealism and uplifted by the spirit of an inner life or purpose.”
—Julia Marlowe (1866–1950)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)