Colors
Throughout the years, Shock Wave has undergone several re-paintings with different color schemes. When it first opened, the attraction's track and supports were all-white. The solid white color lasted only two years as it quickly became dirty. The second color scheme, introduced in 1980, featured dark blue track and supports. Since then, the ride has been repainted light blue, then silver with navy blue supports. During Time-Warner's ownership of the park the ride was painted with white track, yellow supports and pink loops. The operators jokingly referred to the ride as "fruit loops." The seventh color scheme of blue track with red supports came about in 1996. 2001 marked the 40th anniversary of the park, and Shock Wave once again was given a new coat of paint — this time royal blue supports with a bright green track. That paint job remained on the coaster until 2012, when Shock Wave was finally given a much-needed new coat of paint. SImilar to the previous color scheme, the present colors are royal blue supports, with a slightly brighter shade of green track.
Read more about this topic: Shock Wave (Six Flags Over Texas)
Famous quotes containing the word colors:
“You look rather rash my dear your colors don’t quite match your face.”
—Daisy Ashford (1881–1972)
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.”
—Claude Monet (1840–1926)