Academy of Indian Classical Music
Mishra, along with his son Deobrat Mishra, has started the Academy Of Indian Classical Music as a part of their Benaras Gharana Project to make classical Indian music accessible. The Academy aims to:
- Establish a school for the teaching of Indian Classical music in the traditional Benaras Gharana style;
- Provide scholarships to children to assist them in their learning of this musical style;
- Create opportunities for students and young artists to develop their potential through study and performance;
- Provide right livelihood for qualified and dedicated teachers.
The academy is notable for admitting non-Indian musicians including those from Europe and the USA.
Read more about this topic: Shivnath Mishra
Famous quotes containing the words academy, indian, classical and/or music:
“I realized early on that the academy and the literary world alike—and I don’t think there really is a distinction between the two—are always dominated by fools, knaves, charlatans and bureaucrats. And that being the case, any human being, male or female, of whatever status, who has a voice of her or his own, is not going to be liked.”
—Harold Bloom (b. 1930)
“Music is so much a part of their daily lives that if an Indian visits another reservation one of the first questions asked on his return is: “What new songs did you learn?””
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)