Characters
- Asuka Higuchi (樋口 飛鳥, Higuchi Asuka?)
- A reformed bad girl who now only dreams of meeting her father. She is very athletic and is particularly good at gymnastics. When she discovers she has two half-siblings, Manato and Kazusa, she immediately takes on the role of a reliable and protecter older sister.
- Manato Sudou (須藤 真斗, Sudou Manato?)
- Like Asuka, Manato once ran in a gang, but has somewhat reformed himself. He has looked after Kazusa ever since they were children, which is why he is naturally very protective of her.
- Kazusa Sudou (須藤 和沙, Sudou Kazusa?)
- Asuka's half-sister, who utterly despises her older sister for butting into her cozy little life with Manato. She has a serious brother complex and will do anything to keep Manato from accepting Asuka as their sister.
- Tooru Hayami (速水 透, Hayami Tooru?)
- A bad boy in general, Hayami has been interested in Kazusa up until he got beat up by Asuka for intimidating Kazusa. He soon develops an unrequited crush on Asuka.
- Youko Kamiya (神谷 陽子, Kamiya Youko?)
- The school class president and captain of the gymnastics club. Asuka becomes her biggest rival in both gymnastics and for Manato's love.
- Yashiro-sensei (矢城先生, Yashiro-sensei?)
- A recently hired teacher at their school who seems to take an interest in Asuka. He is later revealed to be the missing father of Asuka and her siblings.
Read more about this topic: Shishunki Miman Okotowari
Famous quotes containing the word characters:
“The Nature of Familiar Letters, written, as it were, to the Moment, while the Heart is agitated by Hopes and Fears, on Events undecided, must plead an Excuse for the Bulk of a Collection of this Kind. Mere Facts and Characters might be comprised in a much smaller Compass: But, would they be equally interesting?”
—Samuel Richardson (1689–1761)
“Do you set down your name in the scroll of youth, that are written down old with all the characters of age?”
—William Shakespeare (1564–1616)
“Animals are stylized characters in a kind of old saga—stylized because even the most acute of them have little leeway as they play out their parts.”
—Edward Hoagland (b. 1932)