Characters
The four central characters are studies in contrast: the two friends Caroline Helstone and Shirley Keeldar, and their loves, the brothers Robert and Louis Gérard Moore.
- Robert Gérard Moore - An industrialist whose textile mill is idle because of the war. Perceived as an outsider because he comes from Antwerp, even though he is a cousin of Caroline. During the novel, Robert Moore installs new labor-saving machinery in his mill and becomes the target of Luddite attacks.
- Louis Gérard Moore - Robert's brother, working as a tutor for Shirley's uncle.
- Caroline Helstone - A timid and uncertain, but also wise and capable young woman, the niece of Reverend Helstone and best friend of Shirley.
- Shirley Keeldar - An orphaned heiress to a fortune. A headstrong, independent and determined young woman.
Other characters in the novel include:
- Rev Matthewston Helstone - Caroline's uncle. A fierce man, who is not cruel, but still shows little affection for his niece. Marriage has made him distrustful of women in general.
- Hortense Gérard Moore - Robert and Louis's sister.
- Hiram Yorke - A local landowner.
- Joe Scott - Robert Moore's foreman at the mill.
- Mrs. Pryor - Shirley's timid but wise governess, who moves to Fieldhead together with Shirley. She eventually turns out to be Caroline's long-lost mother.
- The three Curates of the three parishes - The brutish Irishman Peter Malone, the Cockney Joseph Donne, and the amiable Davy Sweeting.
Read more about this topic: Shirley (novel)
Famous quotes containing the word characters:
“There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.”
—George Eliot [Mary Ann (or Marian)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“Do you set down your name in the scroll of youth, that are written down old with all the characters of age?”
—William Shakespeare (15641616)