Shirley Jackson - Literary Studies

Literary Studies

Lenemaja Friedman's Shirley Jackson (Twayne Publishers, 1975) is the first published survey of Jackson's life and work. Judy Oppenheimer also covers Shirley Jackson's life and career in Private Demons: The Life of Shirley Jackson (Putnam, 1988). S. T. Joshi's The Modern Weird Tale (2001) offers a critical essay on Jackson's work.

A comprehensive overview of Jackson's short fiction is Joan Wylie Hall's Shirley Jackson: A Study of the Short Fiction (Twayne Publishers, 1993). The only critical bibliography of Jackson's work is Paul N. Reinsch's A Critical Bibliography of Shirley Jackson, American Writer (1919–1965): Reviews, Criticism, Adaptations (Edwin Mellen Press, 2001). Darryl Hattenhauer also provides a comprehensive survey of all of Jackson's fiction in Shirley Jackson's American Gothic (State University of New York Press, 2003). Bernice Murphy's recent "Shirley Jackson: Essays on the Literary Legacy" (McFarland, 2005) is a collection commentaries on Jackson's work. Colin Hains's Frightened by a Word: Shirley Jackson & Lesbian Gothic (2007) explores the lesbian themes in Jackson's major novels.

According to the post-feminist critic Elaine Showalter, Jackson's work is the single most important mid-20th century body of literary output yet to be critically revalorized in the present day. In a March 4, 2009, podcast distributed by the renowned business publisher The Economist, Showalter also revealed Joyce Carol Oates has edited a collection of Jackson's work called Shirley Jackson Novels and Stories that was published in the highly-esteemed Library of America series.

The 1980s witnessed considerable scholarly interest in Jackson's work. Peter Kosenko, a Marxist critic, advanced an economic interpretation of "The Lottery" that focussed on "the inequitable stratification of the social order." Sue Veregge Lape has argued that feminist critics who did not consider Jackson to be a feminist played a significant role in her lack of earlier critical attention. In contrast, Jacob Appel has written that Jackson was an "anti-regionalist writer" whose criticism of New England proved unpalatable to the American literary establishment.

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