Ship Camouflage - Second World War

Second World War

Some two-color paint schemes attempted to harmonize with both sea and sky near the horizon. The US Navy painted some ships dark gray with white structures above bridge level. Both the US Navy and the Royal Navy painted ships dark gray on the hull and light gray on the superstructure and turrets. USN measure 12 was a graded System with sea blue low on the hull below the first continuous deck, with ocean gray above that. The top of the masts were painted haze gray. This measure was modified with ocean gray above navy blue low on the hull below the first continuous deck (painted parallel to the waterline rather than the main deck). This bold contrast on a horizontal line near the horizon reduced visibility to surface observers and created the illusion of greater range. This camouflage was considered most effective for gunnery engagements with surface units or shore batteries in areas where aerial observation was unlikely. It was used in the Atlantic and European coastal waters from the end of 1942 through the end of World War II. It was worn by shore bombardment ships in the Pacific from late 1944 after the destruction of Japanese naval aviation capability at the Battle of the Philippine Sea. Similar Admiralty standard schemes were applied beginning in 1944 when it was assumed enemy forces would have radar. Ships were painted light gray overall, except for a sea blue patch low on the hull, either between the main gun turrets or the entire length of the hull.

Read more about this topic:  Ship Camouflage

Famous quotes containing the words world war, world and/or war:

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    The higher, the more exalted the society, the greater is its culture and refinement, and the less does gossip prevail. People in such circles find too much of interest in the world of art and literature and science to discuss, without gloating over the shortcomings of their neighbors.
    Mrs. H. O. Ward (1824–1899)

    Soldier, there is a war between the mind
    And sky, between thought and day and night. It is
    For that the poet is always in the sun,
    Patches the moon together in his room
    To his Virgilian cadences, up down,
    Up down. It is a war that never ends.
    Wallace Stevens (1879–1955)