Shinichi Fujimura - Criticism

Criticism

Despite the acquiescence from the archeologists, some geologists and anthropologists claimed the discovery was dubious and lacked consistency with the geologic analysis of the sites.

Toshiki Takeoka at the Kyoritsu Joshi University published an article

Stone artifacts which were recently discovered at Japanese Upper Paleolithic sites, such as Kamitakamori site are so different from the characteristics of these Upper Paleolithic stones. (...) Those are the same as the stone shafts of the Jōmon period in their shape or fabrication method. (...) This site and their archaeological finds are undoubtedly abnormal, a kind of OOPARTS.

Shizuo Oda and Charles T. Keally also mentioned some peculiarities in their article

After talking to the principal investigators, OKAMURA and KAMATA, and a thorough study of the relevant publications and the lithics themselves, we have concluded that no proven artifacts of human origin predating 30,000 B. P. exist in Miyagi prefecture. The claims of OKAMURA, KAMATA, and some other Miyagi archaeologists that they have discovered a "Lower Palaeolithic" are based on flawed research and are dubious claims.

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Famous quotes containing the word criticism:

    It is the will of God that we must have critics, and missionaries, and Congressmen, and humorists, and we must bear the burden. Meantime, I seem to have been drifting into criticism myself. But that is nothing. At the worst, criticism is nothing more than a crime, and I am not unused to that.
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    The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.
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    I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.
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