Works
• Shih Ming-te, 2006, "qui shi zhi chun (囚室之春, Spring in a Prison Cell)", new edition. Taipei, Linking books.
• Shih Ming-te, 2002, "wu si de feng xian zhe (無私的奉獻者, The Selfless Devotee)". Taipei, Commonwealth Publishing Group.
• New Taiwan Foundation, 2002, "yong yuan de zhu ti: shi mingde yu wei jingsheng dui tan lu (永遠的主題：施明德與 魏京生 對談錄, A timeless theme: dialogs between Shih Ming-te and Wei Jingsheng)", Taipei, Linking books.
• Shih Ming-te, 2001, "yue du shi mingde (閱讀施明德, Readig Shih Ming-te)". Taipei, New Taiwan Foundation.
• Shih Ming-te, 1988, "shih mingde de zheng zhi yi shu: mei li dao shi jian jun fa da shen da bian quan wen (施明德的政治遺囑：美麗島事件軍法大審答辯全, Shih Ming-te's Political Testament: The Formosa Incident Hearings)". Taipei, Avanguard.
• Shih Ming-te, 1989, "qiu shi zhi chun (囚室之春, Spring in a Prison Cell)", Kaohsiung, Tunli Publishing.
• Shih Ming-te, 1992, "qiu shi zhi chun: shi mingde san wen ji (囚室之春：施明德散文集, Spring in a Prison Cell: A Collection of Essays)". Taipei, Avangard.
• New Taiwan Foundation, 1995 "shi mingde guo hui san nian (施明德國會三年,Shih Ming-te's Three-year Term in the Legislative Yuan)". Taipei, New Taiwan Foundation.
Read more about this topic: Shih Ming-teh
Famous quotes containing the word works:
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)