Sheryl Crow (album) - Production

Production

  • Producer: Sheryl Crow
  • Executive producer: Stephen Weintraub
  • Assistant producer: Mitchell Froom
  • Engineers: Blair Lamb, Bob Salcedo, Trina Shoemaker, Tchad Blake
  • Assistant engineers: Ron Black, S. "Husky" Höskulds, Cappy Japngie, John Paterno
  • Mixing: Tchad Blake
  • Mastering: Bob Ludwig
  • Loop: Sheryl Crow, Brian MacLeod, Jeff Trott, Michael Urbano
  • String arrangements: Mitchell Froom
  • Horn arrangements: Mitchell Froom
  • Coordination: Pam Werheimer
  • Art direction: Jeri Heiden, Karen Walker
  • Design: Jeri Heiden, Karen Walker
  • Photography: James Minchin, Stephanie Pfriender, Steen Sundland

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    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
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    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
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