Shed Record Label
The "Shed" record label was launched and vinyl was pressed under licence by Gramma Records in Zimbabwe. There were a succession of hit songs and several albums. In 1985 the studios were approached by Owen Elias of Discafrique Records in the UK, to release a selection of African band music. A compilation of The Bhundu Boys and African Herb, an offshoot of Thomas Mapfumo's band, was released, and resulted in interest by the radio DJs John Peel, Andy Kershaw and Charlie Gillet. Shed responded in 1986 by licensing a compilation of Zimbabwean Bhundu Boys hits to Discafrique called "Shabhini", which took the UK world music public by storm. To the studio's disappointment, the band pulled out of the final months of their Shed contract when they were signed by Warner Bros.. A second compilation of Shed recordings was released by Discafrique called "Tsvimbodzemoto", which also sold well, but that was the end of the recording careers of The Bhundu Boys at Shed Studios. Following his move to UK in 2000, Steve Roskilly collaborated with Gordon Muir, the Bhundu Boys' manager, to produce a final compilation double CD called "The Shed Sessions", which reawakened the classic Bhundu music on CD again, including previously unreleased tracks.
Read more about this topic: Shed Studios
Famous quotes containing the words shed, record and/or label:
“Forget all feuds, and shed one English tear
O’er English dust. A broken heart lies here.”
—Thomas Babington Macaulay (1800–1859)
“Unlike Boswell, whose Journals record a long and unrewarded search for a self, Johnson possessed a formidable one. His life in London—he arrived twenty-five years earlier than Boswell—turned out to be a long defense of the values of Augustan humanism against the pressures of other possibilities. In contrast to Boswell, Johnson possesses an identity not because he has gone in search of one, but because of his allegiance to a set of assumptions that he regards as objectively true.”
—Jeffrey Hart (b. 1930)
“Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as “not black enough.” ...Our concept of black experience has been too narrow and constricting.”
—bell hooks (b. c. 1955)