Career
Moitra started his career as a client servicing executive at an ad agency, while music remained a hobby. He started composing music for advertising jingles accidentally, when he was asked to compose a jingle at the last minute by Pradeep Sarkar, then the Creative Head of the agency, the jingle was "Bole mere lips. I love Uncle Chipps" for the chips brand named Uncle Chipps, which became an instant hit, and he later composed several jingles for Pradeep Sarkar, and several advertising brands.
This led to composing music for Indipop albums that were hits including Ab ke Saawan, Mann ke Manjeere: an album of women's dreams for Breakthrough, and Sapna Dekha Hai Maine (2003) for Shubha Mudgal.
Moitra shifted to Mumbai in 2002, when he started working for Sudhir Mishra’s Hazaaron Khwaishein Aisi, his first signed film, and soon formed team with lyricist Swanand Kirkire, starting with the song, "Bawara Mann..". Even before Parineeta was made, he had created a song called Raath Hamari To, sung by Chitra, which Vidhu Vinod Chopra the producer of Parineeta heard, and subsequently on his recommendation, he received Parineeta (2005) directed by Pradeep Sarkar and later Eklavya: The Royal Guard directed by Chopra himself.
Moitra composed the music in a few films, but gained recognition with his music in Parineeta (2005). His music was critically acclaimed and he received a nomination for the Filmfare Best Music Director Award. That same year he won the Filmfare RD Burman Award for New Music Talent. In 2009, he composed score for his first Bengali film, Antaheen.
He continues to compose ad jingles, and recently won a Bronze Lion in Cannes in the category of best music for a Happydent advertisement.
In Coochbehar, a city of West Bengal there is the first "Shantanu Moitra - Our Inspiration" club/society. This club/society is a collaboration with "Antaheen Fan Club" . The two clubs are maintained by some college students.
Read more about this topic: Shantanu Moitra
Famous quotes containing the word career:
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)