Shamanic Music - Shamanism and Possession

Shamanism and Possession

It has been argued that shamanism and spirit possession involve contrasting kinds of special states of mind. The shaman actively enters the spirit world, negotiates with her or his own helper spirit and then with other spirits as necessary, and moves between different territories of the spirit world. The possessed medium, on the other hand, is the passive recipient of a powerful spirit or god. This reflects on the different uses of music involved. Possession music is typically long in duration, mesmeric, loud and intense, with climaxes of rhythmic intensity and volume to which the medium has learned to respond by entering a trance state: the music is not played by the medium but by one or more musicians. In shamanism, the music is played by the shaman, confirms the shaman's power (in the words of the shaman's song), and is used actively by the shaman to modulate movements and changes of state as part of an active journey within the spirit world. In both cases the connection between music and an altered state of mind depends on both psychoacoustic and cultural factors, and the music cannot be said to 'cause' trance-states.