Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| All About Jazz | (favorable) |
| Allmusic | |
| Robert Christgau | C+ |
| Mojo | (favorable) |
| Q | |
| Warr.org | |
| Yahoo! Music | (favorable) |
Upon its release in the summer of 1971, Shaft became the first double album of original studio material released by an R&B artist. The album peaked at number one on The Billboard 200 chart, and spent sixty weeks on the chart. It took the top position on the Top R&B Albums chart for 14 weeks. Both "Theme from Shaft" and "Do Your Thing" became Top 40 singles on the Billboard Hot 100 chart, with the former peaking at number one.
At the 1972 Grammy Awards, "Theme from Shaft" won the awards for Best Engineered Recording, Non-Classical and Best Instrumental Arrangement. The film score as a whole won for Best Instrumental Composition Written Specifically For A Motion Picture or for Television. The National Association of Television and Radio Announcers gave Shaft its Album of the Year award. At the Academy Awards that year, Hayes became the first African-American to win an Oscar for a non-acting category when "Theme from Shaft" won the award for Best Original Song. Isaac Hayes was nominated for Original Dramatic Score as well, losing to Michel Legrand for the score to Summer of '42.
The 2009 re-release of the soundtrack on CD by Stax Records added an additional track, "Theme from Shaft" (2009 Mix), timed at 4:45.
Read more about this topic: Shaft (album)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)