Conception
Hayes initially became involved with Shaft in hopes of having director Gordon Parks cast him in the title role, but was not aware that Richard Roundtree had already been cast as John Shaft. Hayes did appear in the film in a cameo role, but, more significantly, composed the film's score. While the film was still in production, Parks sent Hayes raw footage of some of the film's scenes, and Hayes wrote three pieces for the scenes: "Theme from Shaft" for the opening title sequence, "Soulsville" for a scene in which Shaft walks through Harlem, and "Ellie's Love Theme" for a love scene.
Pleased with the results, MGM hired Hayes to compose the rest of the score, and the musician spent two months working between tour dates on the score at the MGM studio. Once the score was composed and arranged, Hayes recorded the rhythm tracks with Stax band The Bar-Kays in one day. The orchestral tracks were recorded the next day, and the vocals the day after that. The songs were later re-recorded for the album at Stax Studios and slightly rearranged from their film versions: MGM's recording facility was based upon a three-track system, and Hayes wanted a richer sound for the album).
Read more about this topic: Shaft (album)
Famous quotes containing the word conception:
“Into all that becomes something inward for men, an image or conception as such, into all that he makes his own, language has penetrated ... logic must certainly be said to be the supernatural element which permeates every relationship of man to nature, his sensation, intuition, desire, need, instinct, and simply by so doing transforms it into something human, even though only formally human, into ideas and purposes.”
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