Shadow of The Vampire - Plot

Plot

In 1921, German director Frederich Wilhelm Murnau (John Malkovich) takes his Berlin-based cast and crew on-location in Czechoslovakia in order to shoot Nosferatu, an unauthorized version of Bram Stoker's 1897 novel Dracula. Much to their frustration, Murnau keeps his team very much in the dark about their schedule, and even more so about the actor he has found to play the part of the vampire Count Orlok. It is left to the film's other main actor, Gustav von Wangenheim (Eddie Izzard) to explain to them that the mysterious lead is apparently an obscure German theater performer named Max Schreck (Willem Dafoe), who, according to Murnau, is a highly professional character actor. In order to involve himself fully in his role, Schreck will only appear among the cast and crew in full make-up, and will never break character.

After filming the beginning scenes of his film in a sound stage with his leading actress, Greta Schroeder (Catherine McCormack) who is incredibly displeased about having to leave Berlin, Murnau and his team travel to the remote inn where they will be staying and shooting further scenes for the picture. During their stay, however, the landlady becomes distressed at Murnau removing many of the crucifixes around the inn, and the cameraman, Wolfgang Muller (Ronan Vibert) begins to fall in to a strange, hypnotic state. Further strange things happen as Gustav discovers a bottle of blood in amongst the team's food supplies, and Murnau delivers a caged ferret to a derelict cellar in the middle of the night, apparently as food for a strange creature.

One night, Murnau rushes his team up to the main setting for his film, an old Slovak castle, for the first scene with the vampire. Schreck appears to them for the first time, and his appearance and behavior both impress and disturb them. The film's producer, Albin Grau (Udo Kier) however, suspects that Schreck is not really a German theater actor, and is confused when Murnau tells him that he in fact found Schreck in the old castle. Soon after the completion of the scene, Wolf is found collapsed in a dark tunnel. Upon returning to the inn, the landlady appears frightened by his pale, weak appearance, and mutters "Nosferatu" while clutching at a rosary.

The next night, Murnau and his team continue filming up at the castle, and the tension between Murnau and his star begins to show. Whilst filming a dinner scene between Gustav and Count Orlok, Murnau deliberately startles Gustav, making him cut his finger with a bread knife. Schreck reacts wildly at the sight of the blood, and, urged on by Murnau, tries to drink from Gustav's wound. The rest of the crew look on in horror, when suddenly, the generator powering the lights fails, plunging everything in to darkness. When the lights come back on again, Murnau is furious to find Schreck pinning Wolf to the floor, apparently draining his blood. Albin orders filming to end for the night, and the crew rushes from the castle, carrying Wolf and leaving Schreck behind. Left alone, Schreck curiously examines some of the camera equipment, and appears fascinated and entranced by some footage of a sunrise.

It is revealed that Schreck is in fact a true vampire who Murnau has made a deal with, in order to create the most realistic vampire film possible. Schreck has been promised Greta as a prize for completeing his role in the film, but he remains difficult and uncooperative with the fanatical Murnau, until the entire production is at his mercy, and in danger of ruin. With Wolf close to death, Murnau is forced to bring in another cinematographer from Berlin, Fritz Arno Wagner (Cary Elwes) in order to continue filming. During Murnau's absence, Albin and the film's scriptwriter, Henrik Galeen (John Aden Gillet) share a drink together by a campfire, when Schreck approaches them. They invite him to join them, and begin to question Schreck (in what they still believe is his vampire 'character',) about the accuracy of the Dracula novel. Schreck (somewhat sadly and bitterly,) points out the flaw of the centuries old Count Dracula still being able to remember how to do everyday 'human' activities, such as preparing a meal, even though he hasn't eaten food in centuries. He tells Albin and Henrik that he himself is so old, he cannot remember how he became a vampire (though he alludes briefly to a trist he had with a mysterious woman,) and cannot create more of his own kind. A bat flies by and Schreck catches it with a quick hand, sucking its blood, ecstatically from its body. The others are left stunned and impressed by what they still assume is talented acting.

The troubled production is eventually left stranded on an island in the middle of the North Sea, and Murnau, in a drug-induced stupor, admits to Albin and Fritz Schreck's true nature. The two of them realise that they have no choice but to complete the film and give Greta to the vampire in the last scene if they wish to leave the island alive. When an unsuspecting Greta arrives for filming, however, she notices that Schreck casts no reflection in a mirror. Murnau, Albin, and Fritz are forced to drug her, and Schreck feeds on her while the others film the scene. At dawn, with Greta nearly dead, the remaining three attempt to let sunlight in to the building to destroy Schreck, but find that he has anticipated their trickery. Schreck kills both Fritz and Albin while Murnau (now completely insane,) continues to operate the camera. However, the rest of the crew arrive in time to open up the doors and flood the set with sunlight, finally destroying Schreck while Murnau films his death.

Murnau completes the filming and calmly states "I think we have it", while his rescuers look on at the carnage.

Read more about this topic:  Shadow Of The Vampire

Famous quotes containing the word plot:

    “The plot thickens,” he said, as I entered.
    Sir Arthur Conan Doyle (1859–1930)

    But, when to Sin our byast Nature leans,
    The careful Devil is still at hand with means;
    And providently Pimps for ill desires:
    The Good Old Cause, reviv’d, a Plot requires,
    Plots, true or false, are necessary things,
    To raise up Common-wealths and ruine Kings.
    John Dryden (1631–1700)

    The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.
    Franz Grillparzer (1791–1872)