Shabba Ranks - Biography and Music Career

Biography and Music Career

Ranks gained his fame mainly by toasting (or rapping) rather than singing, similarly to his dancehall contemporaries in Jamaica. A protégé of deejay Josey Wales, he arrived on the international stage in the late 1980s, along with a number of fellow Jamaicans including reggae singers Cocoa Tea and Crystal. Ranks also worked with Chuck Berry and American rappers KRS-One and Chubb Rock.

He secured a major record deal with Epic Records in 1991. Having released five albums for a major label, Ranks remains one of the most prolific dancehall artists to break into the mainstream.

The stylistic origins of the genre reggaeton may partially be traced back to the 1991 song "Dem Bow", from Ranks' album Just Reality. Produced by Bobby "Digital" Dixon, the Dem Bow riddim became so popular in Puerto Rican freestyle sessions that early Puerto Rican reggaeton was simply known as "Dembow". The Dem Bow riddim is an integral and inseparable part of reggaeton, so much so that it has become its defining characteristic.

His biggest hit single outside of Jamaica was the reggae fusion smash "Mr. Loverman" (memorable for bringing the cry "Shabba!" to the music world). Other tracks include "Respect", "Pirates Anthem", "Trailer Load A Girls", "Wicked inna Bed", "Caan Dun", and "Ting A Ling".

In 1993, Ranks scored another hit in the Addams Family Values soundtrack to which he contributed a rap/reggae version of the Sly and the Family Stone hit "Family Affair". His third album for Epic, "A Mi Shabba", was released in 1995, however it fared less well. He was eventually dropped by the label in 1996. However, he won two Grammy Awards for previous work, and Epic went on to release a 'Greatest Hits' album, entitled Shabba Ranks and Friends in 1999.

Read more about this topic:  Shabba Ranks

Famous quotes containing the words biography, music and/or career:

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)

    The dignity of art probably appears most eminently with music since it does not have any material that needs to be discounted. Music is all form and content and elevates and ennobles everything that it expresses.
    Johann Wolfgang Von Goethe (1749–1832)

    He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.
    George Eliot [Mary Ann (or Marian)