Production
Logistical issues relating to other projects in which the cast were involved meant that Shaan took three years to make. While Sholay drew its inspiration from the American Western and spaghetti western films, Shaan took its lead from the James Bond films with fancy sets and beautiful costumes. Shakaal, the bald villain played by Kulbhushan Kharbanda, was based on the James Bond villain, Blofeld.
A large golden eagle is prominent in Shakaal's island lair and in the Bollywood obligatory final song-and-dance. The eagle is reminiscent of the golden lamb in Cecile DeMille's Ten Commandments; construction on the golden eagle required outside experts to be flown in and cost, in Rupees, the equivalent of the chariot scene in Ben-Hur.
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Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)