Display Pattern Tables
The tables below show alternative seven-segment display patterns for the Hindu-Arabic numerals, the 26 letters of the English language part of the Latin alphabet, and the Greek alphabet. Although the designs for digits are now mostly universal, there is no conventional set for all letters, i.e. ad-hoc solutions prevail, some using two consecutive segment arrays for a single symbol (see 'K', 'M', 'N', 'T', 'V', 'W', 'X') and most employing a unicase design. Hence the patterns shown have been used to various degrees, some are virtually unused. Note that letters are usually left-aligned (chiefly 'uppercase i' but not 'lowercase L' because have down segment on), while the digit one '1' is right-aligned. Sometimes the most intuitive shape may not be used because it was ambiguous with a different character.
Random examples:
File:7SegmentAlphabet.png
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 11 | 17 | ∞ |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| | |
| A/∀, a/ɑ; @ | B, b | C, c | D, d/ð | E/Ɛ/∃, e/ɛ/℮ | F/Ⅎ, f/ƒ | G, g/g |
|---|---|---|---|---|---|---|
| Complex form |
||||||
| H, h | İ/I, i/ı | J, j/ȷ | K, k | L, l/ℓ | M, m | N, n |
| | | |
|
|
|||
| O, o | P, p | Q, q | R, r | S, s/ſ | T, t | U, u |
| |
||||||
| V, ν | W, w | X, x | Y, y | Z/Ƶ, z/3/ƶ | fi | IJ, ij |
| |
|
|
| Α, α | Β, β/ϐ | Γ, γ | Δ, δ | Ε, ε/ϵ | Ζ, ζ | Η, η | Θ, θ/ϑ |
|---|---|---|---|---|---|---|---|
| Ι, ι | Κ, κ | Λ, λ | Μ, μ | Ν, v | Ξ, ξ | Ο, ο | Π, π/ϖ |
| | | |||||||
| Ρ, ρ/ϱ | Σ/C, σ/ς/c | Τ, τ | Υ, υ | Φ, φ/ϕ | Χ, χ | Ψ, ψ | Ω, ω |
| А, а | Б, б | В, в | Г, г | Д, д | Е, е | Ж, ж | З, з | И, и |
|---|---|---|---|---|---|---|---|---|
| Й, й | К, к | Л, л | М, м | Н, н | О, о | П, п | Р, р | С, с |
| Т, т | У, у | Ф, ф | Х, х | Ц, ц | Ч, ч | Ш, ш | Щ, щ | Ъ, ъ |
| | | ||||||||
| Ы, ы | Ь, ь | Э, э | Ю, ю | Я, я | ||||
| | |
Read more about this topic: Seven-segment Display Character Representations
Famous quotes containing the words display, pattern and/or tables:
“We rarely quote nowadays to appeal to authority ... though we quote sometimes to display our sapience and erudition. Some authors we quote against. Some we quote not at all, offering them our scrupulous avoidance, and so make them part of our white mythology. Other authors we constantly invoke, chanting their names in cerebral rituals of propitiation or ancestor worship.”
—Ihab Hassan (b. 1925)
“Every child has an inner timetable for growtha pattern unique to him. . . . Growth is not steady, forward, upward progression. It is instead a switchback trail; three steps forward, two back, one around the bushes, and a few simply standing, before another forward leap.”
—Dorothy Corkville Briggs (20th century)
“The evening falters. Couples in their coats
Are leaving gaps already, and the rest
Move tables closer.”
—Philip Larkin (19221986)