Mathematical Set Theory Versus Musical Set Theory
Although musical set theory is often thought to involve the application of mathematical set theory to music, there are numerous differences between the methods and terminology of the two. For example, musicians use the terms transposition and inversion where mathematicians would use translation and reflection. Furthermore, where musical set theory refers to ordered sets, mathematics would normally refer to tuples or sequences (though mathematics does speak of ordered sets, and these can be seen to include the musical kind in some sense, they are far more involved).
Moreover, musical set theory is more closely related to group theory and combinatorics than to mathematical set theory, which concerns itself with such matters as, for example, various sizes of infinitely large sets. In combinatorics, an unordered subset of n objects, such as pitch classes, is called a combination, and an ordered subset a permutation. Musical set theory is best regarded as a field that is not so much related to mathematical set theory, as an application of combinatorics to music theory with its own vocabulary. The main connection to mathematical set theory is the use of the vocabulary of set theory to talk about finite sets.
Read more about this topic: Set Theory (music)
Famous quotes containing the words mathematical, set, theory and/or musical:
“The most distinct and beautiful statement of any truth must take at last the mathematical form.”
—Henry David Thoreau (18171862)
“There is nothing less to our credit than our neglect of the foreigner and his children, unless it be the arrogance most of us betray when we set out to americanize him.”
—Charles Horton Cooley (18641929)
“The theory of truth is a series of truisms.”
—J.L. (John Langshaw)
“Hell is full of musical amateurs: music is the brandy of the damned.”
—George Bernard Shaw (18561950)