"Set Adrift on Memory Bliss" is the signature hit by P.M. Dawn from their debut album, Of the Heart, of the Soul and of the Cross: The Utopian Experience. Writing credit is given to Attrell Cordes (Prince Be of P.M. Dawn) and Gary Kemp of Spandau Ballet as the song is built around samples of their 1983 hit "True," as well as samples from The Soul Searchers' "Ashley's Roachclip". Spandau Ballet lead singer Tony Hadley made a cameo in the video to this song; appearing near the end of the video. The main drumbeat also samples from Eric B. & Rakim's "Paid in Full".
This song was the group's first (and only) #1 hit on the Billboard Hot 100, and also reached #3 in the United Kingdom. It ranks #81 on VH1's 100 Greatest Songs of Hip Hop. The song was the first number one song after the debut of the Nielsen SoundScan system, which monitored airplay and sales more closely than before when Billboard had to rely on humans to report sales and airplay data. According to the test charts of the SoundScan system, "Set Adrift on Memory Bliss" was at number one for at least three weeks, but officially has a one-week reign at number one.
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Famous quotes containing the words set, adrift, memory and/or bliss:
“It is ... despair at the mutability of all created things that links the Artist and the Ascetic—a desire to purify and preserve—to set oneself apart—somehow—from the river flowing onward to the grave.”
—Michele Murray (1933–1974)
“Raising a daughter is an extremely political act in this culture. Mothers have been placed in a no-win situation with their daughters: if they teach their daughters simply how to get along in a world that has been shaped by men and male desires, then they betray their daughters’ potential But, if they do not, they leave their daughters adrift in a hostile world without survival strategies.”
—Elizabeth Debold (20th century)
“When he became all eye when one was present, and all memory when one was gone; when the youth becomes the watcher of windows, and studious of a glove, a veil, a ribbon, or the wheels of a carriage, when no place is too solitary, and none too silent.”
—Ralph Waldo Emerson (1803–1882)
“And are not men than they more blind,
Who having eyes yet never find
The bliss in which they move:
Like statues dead
They up and down are carried,
Yet neither see nor love.”
—Thomas Traherne (1636–1674)