Set Adrift On Memory Bliss

"Set Adrift on Memory Bliss" is the signature hit by P.M. Dawn from their debut album, Of the Heart, of the Soul and of the Cross: The Utopian Experience. Writing credit is given to Attrell Cordes (Prince Be of P.M. Dawn) and Gary Kemp of Spandau Ballet as the song is built around samples of their 1983 hit "True," as well as samples from The Soul Searchers' "Ashley's Roachclip". Spandau Ballet lead singer Tony Hadley made a cameo in the video to this song; appearing near the end of the video. The main drumbeat also samples from Eric B. & Rakim's "Paid in Full".

This song was the group's first (and only) #1 hit on the Billboard Hot 100, and also reached #3 in the United Kingdom. It ranks #81 on VH1's 100 Greatest Songs of Hip Hop. The song was the first number one song after the debut of the Nielsen SoundScan system, which monitored airplay and sales more closely than before when Billboard had to rely on humans to report sales and airplay data. According to the test charts of the SoundScan system, "Set Adrift on Memory Bliss" was at number one for at least three weeks, but officially has a one-week reign at number one.

Read more about Set Adrift On Memory Bliss:  Lyrics, Cover Versions and Uses in The Media, Cultural References, Track Listings, See Also

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    The time is out of joint. O cursèd spite
    That ever I was born to set it right!
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    Raising a daughter is an extremely political act in this culture. Mothers have been placed in a no-win situation with their daughters: if they teach their daughters simply how to get along in a world that has been shaped by men and male desires, then they betray their daughters’ potential But, if they do not, they leave their daughters adrift in a hostile world without survival strategies.
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    Language was not powerful enough to describe the infant phenomenon. “I’ll tell you what, sir,” he said; “the talent of this child is not to be imagined. She must be seen, sir—seen—to be ever so faintly appreciated.”... The infant phenomenon, though of short stature, had a comparatively aged countenance, and had moreover been precisely the same age—not perhaps to the full extent of the memory of the oldest inhabitant, but certainly for five good years.
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    All my life’s bliss from thy dear life was given,
    All my life’s bliss is in the grave with thee.
    Emily Brontë (1818–1848)