"Set Adrift on Memory Bliss" is the signature hit by P.M. Dawn from their debut album, Of the Heart, of the Soul and of the Cross: The Utopian Experience. Writing credit is given to Attrell Cordes (Prince Be of P.M. Dawn) and Gary Kemp of Spandau Ballet as the song is built around samples of their 1983 hit "True," as well as samples from The Soul Searchers' "Ashley's Roachclip". Spandau Ballet lead singer Tony Hadley made a cameo in the video to this song; appearing near the end of the video. The main drumbeat also samples from Eric B. & Rakim's "Paid in Full".
This song was the group's first (and only) #1 hit on the Billboard Hot 100, and also reached #3 in the United Kingdom. It ranks #81 on VH1's 100 Greatest Songs of Hip Hop. The song was the first number one song after the debut of the Nielsen SoundScan system, which monitored airplay and sales more closely than before when Billboard had to rely on humans to report sales and airplay data. According to the test charts of the SoundScan system, "Set Adrift on Memory Bliss" was at number one for at least three weeks, but officially has a one-week reign at number one.
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Famous quotes containing the words set, adrift, memory and/or bliss:
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)
“Raising a daughter is an extremely political act in this culture. Mothers have been placed in a no-win situation with their daughters: if they teach their daughters simply how to get along in a world that has been shaped by men and male desires, then they betray their daughters’ potential But, if they do not, they leave their daughters adrift in a hostile world without survival strategies.”
—Elizabeth Debold (20th century)
“Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen.”
—Marcel Proust (1871–1922)
“They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.”
—William Wordsworth (1770–1850)