Critical Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
Sarah M. Misemer wrote in her book Secular saints: performing Frida Kahlo, Carlos Gardel, Eva Perón, and Selena that Live! and Amor prohibido (1994) were the two most successful albums of Selena's career. Joey Guerra of Amazon.com wrote that Live! is a "sizzling reminder of electric stage charisma and blossoming talent as a performer". Guerra also stated that the songs performed live had showcased Selena's "uncanny ability to infuse a love song with both girlish innocence and a heated sexuality". He noted that "Como la flor", "Baila esta cumbia" and "La carcacha" were examples of his claims. He also states that any listener can feel the "heat seeping through your speakers". Guerra ended his review stating that Live! "foreshadows" Amor prohbidio (1994). Stephen Thomas Erlewine of Allmusic wrote that Live! had offered proof of Selena being an "energetic exciting performer". Erlewine noted that Selena performed live versions of her "most popular numbers" in front of an "enthusiastic audience". Erlewine ended his review stating that Live! had "capture some of that energy and shows why she was so popular". Shortly after the album's release music critics began calling Selena the Mexican equivalent of Madonna.
Read more about this topic: Selena Live!
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