Sega Force - History

History

Sega Force and Nintendo Force were initially announced in mid-1991 by Newsfield. However, the liquidation of the publisher resulted in the magazine being significantly delayed. It was eventually launched by Europress Impact in December 1991.

The magazine featured artwork created by Oliver Frey that was inspired by Japanese anime, such as Akira. Frey often introduced a horror element into his artwork. His artwork for a Lemmings cover replaced the rodents with humans, depicting their horrified faces as they fell to the ground. The title also featured work by Stuart Wynne, Phil King, Steve Shields, Adrian Pitt and Matt Yeo.

The magazine occasionally featured novellas based on console games. Staff writer, Matt Yeo worked in conjunction with Acclaim software to publish a novella based on Super Smash TV. The narrative followed the plot of the computer game closely and at the end of each chapter offered readers hints and tips on how to complete the game. The narrative style was in keeping with the brash violent cartoons used within the title itself - and bore striking similarities to Stephen King's The Running Man. Sega Force's move into computer game fiction is considered to be a response to its rival Sega Power, which had already had success with several books based on computer games.

In 1993, Impact Magazines made the decision to separate the Sega Force and N-Force titles. Sega Force was split into Sega Force Mega (covering the Mega Drive and Mega-CD) and Sega Master Force (covering the Master System). Both titles featured a G-Force section that covered the Sega Game Gear.

Sega Master Force

Sega Master Force #1, August 1993
Editor Steve Shields (Managing Editor)
Nick Roberts
Categories Video game magazines
Frequency Monthly
First issue August 1993
Final issue
— Number
December 1993
6
Company Impact Magazines
Country United Kingdom
Language English

Read more about this topic:  Sega Force

Famous quotes containing the word history:

    The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.
    Shoshana Zuboff (b. 1951)

    Well, for us, in history where goodness is a rare pearl, he who was good almost takes precedence over he who was great.
    Victor Hugo (1802–1885)

    It takes a great deal of history to produce a little literature.
    Henry James (1843–1916)